"Give almes of thy goods" by Christopher Tye, Choir of Clare College, Cambridge, Timothy Brown was released on October 16, 1995. The duration of Give almes of thy goods is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Give almes of thy goods's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Tudor Anthems - From the Oxford Book of Tudor Anthems". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Switzerland. Give almes of thy goods is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Give almes of thy goods by Christopher Tye, Choir of Clare College, Cambridge, Timothy Brown having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Correnta quarta | Carlo Farina, Musica Antiqua, Christian Mendoze | G Minor | 1 | 6A | 74 BPM | ||
Canzoni et sonate: Sonata No. 13 (arr. E. Crees for brass) | Giovanni Gabrieli, Eric Crees, London Symphony Brass | G Minor | 0 | 6A | 97 BPM | ||
Bacco, Bacco | Mattio Rampollini, Capilla Flamenca | F Major | 5 | 7B | 112 BPM | ||
Frogg Galliard | Hopkinson Smith, John Dowland | G Major | 2 | 9B | 119 BPM | ||
Delitiae testudinis Suite No. 13 in E-Flat Major: IV. Sarabanda | Esaias Reusner, Paul Beier | D Major | 0 | 10B | 94 BPM | ||
Ay je rien fet | Alexander Agricola, Unicorn Ensemble, Michael Posch | D Minor | 2 | 7A | 78 BPM | ||
Myn Hert Altyt Heeft Verlanghen II | Hans Neusidler, Capilla Flamenca | G Minor | 0 | 6A | 131 BPM | ||
Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | ||
O salutaris hostia | Pierre de la Rue, Choir of Clare College, Cambridge, Graham Ross | F Major | 0 | 7B | 72 BPM | ||
Fantazia of foure parts | Orlando Gibbons, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 94 BPM |
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