"Cantata, BWV 249 "Oster-Oratorium": V. Seele, deine Spezereien (Aria Soprano)" by Johann Sebastian Bach, Barbara Schlick, Collegium Vocale Gent, Philippe Herreweghe was released on February 1, 1995. Since Cantata, BWV 249 "Oster-Oratorium": V. Seele, deine Spezereien (Aria Soprano) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 17 in Bach: Oster-Oratorium, BWV 249 (Remastered) by Johann Sebastian Bach, Philippe Herreweghe, La Chapelle Royale, Collegium Vocale Gent. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Cantata, BWV 249 "Oster-Oratorium": V. Seele, deine Spezereien (Aria Soprano) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cantata, BWV 249 "Oster-Oratorium": V. Seele, deine Spezereien (Aria Soprano) by Johann Sebastian Bach, Barbara Schlick, Collegium Vocale Gent, Philippe Herreweghe is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
Missa Votiva, ZWV 18: Kyrie I. | Jan Dismas Zelenka, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder Bernius | E♭ Minor | 2 | 2A | 116 BPM | ||
Pergolesi: Stabat Mater: II. Cujus animam gementem | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | G Major | 1 | 9B | 103 BPM | ||
Christus am Ölberge, Op. 85: VII. Recitative. Verkündet, Seraph, mir dein Mund Erbarmen | Ludwig van Beethoven, Orchestre des Champs-Élysées, Philippe Herreweghe, Sebastian Kohlhepp, Eleanor Lyons | C Major | 3 | 8B | 104 BPM | ||
Matthäus-Passion, BWV 244, Seconda parte: Nr.49. Aria "Aus Liebe will mein Heiland sterben" | Johann Sebastian Bach, Raphael Pichon, Ensemble Pygmalion, Sabine Devieilhe | A♭ Minor | 0 | 1A | 98 BPM | ||
Stabat Mater: XII. Fac ut animae donatur | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM | ||
Hail! bright Cecilia!: Hail! bright Cecilia!: VIII. Wondrous Machine! | Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent, Jonathan Arnold | D♭ Major | 1 | 3B | 73 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 96 BPM |
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