"The Pilgrim Pavement" by Ralph Vaughan Williams, Carys Lane, Ian Watson, Richard Hickox Singers, Richard Hickox was released on January 1, 1999. Since The Pilgrim Pavement is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Vaughan Williams: Valiant for Truth / Symphony No. 5 / The Pilgrim Pavement / Prelude and Fugue by Ralph Vaughan Williams, Richard Hickox. The song's track number on the album is #6 out of 10 tracks. The Pilgrim Pavement is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Pilgrim Pavement by Ralph Vaughan Williams, Carys Lane, Ian Watson, Richard Hickox Singers, Richard Hickox has a tempo of 68 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With The Pilgrim Pavement being at 68 BPM, the half-time would be 34 BPM with a double-time of 136 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clear and gentle stream, Op.17, No.4 - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | F Major | 1 | 7B | 92 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
Oboe Concerto, Op. 20: II. Andante | Ruth Gipps, Juliana Koch, BBC Philharmonic, Rumon Gamba | A Minor | 1 | 8A | 120 BPM | ||
Pelléas et Mélisande, Op. 80: 4. Sicilienne | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Sinfonia for Strings in G major, RV 149: I. Allegro molto | Karoly Botvay | D Major | 2 | 10B | 125 BPM | ||
Fantasia on Greensleeves | Traditional, Ralph Vaughan Williams, Britten Sinfonia, Nicholas Cleobury | C Minor | 1 | 5A | 87 BPM | ||
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
Dona Nobis Pacem: The Angel of Death has been abroad | Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | A♭ Major | 1 | 4B | 80 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM |
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