"Dona Nobis Pacem: The Angel of Death has been abroad" by Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill was released on April 27, 2010. The duration of Dona Nobis Pacem: The Angel of Death has been abroad is about 3 minutes long, at 3:29. Based on our data, "Dona Nobis Pacem: The Angel of Death has been abroad" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vaughan Williams: Dona Nobis Pacem - Sancta Civitas by Ralph Vaughan Williams, David Hill. The song's track number on the album is #5 out of 16 tracks. Dona Nobis Pacem: The Angel of Death has been abroad is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Dona Nobis Pacem: The Angel of Death has been abroad by Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Dona Nobis Pacem: The Angel of Death has been abroad being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Cristina Ortiz, Bournemouth Symphony Orchestra, Paavo Berglund | G Major | 2 | 9B | 84 BPM | ||
Franck: Variations symphoniques, FWV 46: II. Allegretto quasi andante | César Franck, Paavo Berglund, Sylvia Kersenbaum, Bournemouth Symphony Orchestra | D♭ Major | 3 | 3B | 91 BPM | ||
Sancta civitas: I was in the Spirit | Ralph Vaughan Williams, Andrew Staples, Matthew Brook, The Bach Choir, Winchester Cathedral Choristers, Winchester College Quiristers, Bournemouth Symphony Orchestra, David Hill | F Major | 1 | 7B | 126 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: IV. Benedictus | Louis Vierne, Michel Bouvard | E Major | 0 | 12B | 94 BPM | ||
Solitude Sonore | Toru Takemitsu, Bournemouth Symphony Orchestra, Marin Alsop | G Major | 0 | 9B | 81 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: VI. Denn wir haben hie keine bleibende Statt | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | C Major | 2 | 8B | 115 BPM | ||
Elijah, Op. 70: "If With All Your Hearts" (Aria) | Felix Mendelssohn, Robert Murray, Paul McCreesh | E♭ Major | 1 | 5B | 86 BPM | ||
Messe basse: Benedictus | Gabriel Fauré, Ruth Holton, The Cambridge Singers, John Scott, John Rutter | E♭ Major | 1 | 5B | 96 BPM | ||
Franck: Variations symphoniques, FWV 46: III. Molto più lento | César Franck, Paavo Berglund, Sylvia Kersenbaum, Bournemouth Symphony Orchestra | D♭ Major | 0 | 3B | 77 BPM | ||
6 Songs from A Shropshire Lad: No. 2. When I was one-and-twenty | George Butterworth, Roderick Williams, Iain Burnside | B Minor | 1 | 10A | 165 BPM |
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