Michael Praetorius, The New York Renaissance Band, Sally Logemann made "Suite No. 1 in C Major: II. Spagnoletta" available on September 2, 2008. The duration of Suite No. 1 in C Major: II. Spagnoletta is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Suite No. 1 in C Major: II. Spagnoletta's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Praetorius: Terpsichore - Suites Nos. 1-4". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, Suite No. 1 in C Major: II. Spagnoletta is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Suite No. 1 in C Major: II. Spagnoletta by Michael Praetorius, The New York Renaissance Band, Sally Logemann having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
My Lady Carey's Dompe (The Baby Princess) | Claire van Kampen | D Minor | 1 | 7A | 110 BPM | ||
Pavin | Thomas Morley, The Musicians of Swanne Alley | A Major | 0 | 11B | 87 BPM | ||
Suite in D Minor: IV. Canaries | Vieux Gaultier, Hopkinson Smith | C Minor | 1 | 5A | 65 BPM | ||
Frogg Galliard | John Dowland, Andrew Lawrence-King | B Major | 0 | 1B | 105 BPM | ||
The English Dance Master, Vol. 1: The Beggar Boy | John Playford, Baltimore Consort | F Major | 0 | 7B | 78 BPM | ||
Bassadansa (The Feast at Calais) | Claire van Kampen | A Major | 2 | 11B | 75 BPM | ||
J'aim sans penser | Guillaume de Machaut, Randall Cook, Emmanuel Bonardot, Dominique Vellard, Pierre Hamon, Brigitte Lesne | E♭ Minor | 3 | 2A | 147 BPM | ||
Istampita instrumentale "Isabella" | Paolo da Firenze, Amandine Beyer, Felix Stricker, Jane Achtman, Karl-Ernst Schröder, Mala Punica, Pedro Memelsdorff | F♯ Major | 0 | 2B | 95 BPM | ||
Terpsichore (arr. H. Baumer): La Canarie | Michael Praetorius, Hermann Bäumer, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Major | 1 | 9B | 105 BPM |
Section: 0.6180562973022461
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