Michael Praetorius, Hermann Bäumer, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof made "Terpsichore (arr. H. Baumer): La Canarie" available on October 13, 1998. The duration of Terpsichore (arr. H. Baumer): La Canarie is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Terpsichore (arr. H. Baumer): La Canarie's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Praetorius: Dances From Terpsichore". In this album, this song's track order is #17. In terms of popularity, Terpsichore (arr. H. Baumer): La Canarie is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Terpsichore (arr. H. Baumer): La Canarie by Michael Praetorius, Hermann Bäumer, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Second livre de danseries: Tourdion C’est grand plaisir | Pierre Attaingnant, Into the Winds | F Minor | 3 | 4A | 132 BPM | ||
Villanos | Francisco Guerau, Gordon Ferries | D♭ Major | 1 | 3B | 129 BPM | ||
Suite No. 9 en ré mineur: Menuet | Robert de Visée, Sandro Volta | D♭ Major | 0 | 3B | 135 BPM | ||
Suite No. 2 in G Major: IV. Bransle gay | Michael Praetorius, The New York Renaissance Band, Sally Logemann | D Minor | 2 | 7A | 114 BPM | ||
King Arthur: Act V, sc.2: Chaconne | Henry Purcell, The Deller Consort and Choir, Continuo, The King’s Musick, Alfred Deller | E Major | 1 | 12B | 75 BPM | ||
The English Dancing Master: St. Paul's steeple | John Playford, The Broadside Band, Jeremy Barlow | G Minor | 1 | 6A | 98 BPM | ||
Queine of Ingland's Pavan & Gallyard | Anon, Trinity Baroque, The Forbury Consort, Alan Crumpler, Julian Podger, The Holbein Consort, Martin Pope, Steven Player | A Minor | 1 | 8A | 89 BPM | ||
Suite No. 2 in G Major: V. La Rosette | Michael Praetorius, The New York Renaissance Band, Sally Logemann | F Major | 3 | 7B | 170 BPM | ||
Polyhymnia caduceatrix et panegyrica: Wachet auf, ruft uns die Stimme | Michael Praetorius, Stimmwerck, Arno Paduch, Arno Jochem de la Rosee, Ann Fahrni, Michael Eberth | C Major | 2 | 8B | 69 BPM | ||
Cappricci a 2 stromenti cioe Tiorba et Tiorbino: Arpesca gagliarda | Bellerofonte Castaldi, Jakob Lindberg | G Major | 1 | 9B | 76 BPM |
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