Anon, Trinity Baroque, The Forbury Consort, Alan Crumpler, Julian Podger, The Holbein Consort, Martin Pope, Steven Player made "Queine of Ingland's Pavan & Gallyard" available on June 8, 2010. With Queine of Ingland's Pavan & Gallyard being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 28 in the song's album "Tudor Age Music". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. Queine of Ingland's Pavan & Gallyard is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Queine of Ingland's Pavan & Gallyard by Anon, Trinity Baroque, The Forbury Consort, Alan Crumpler, Julian Podger, The Holbein Consort, Martin Pope, Steven Player having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canzon seconda | Giovanni Gabrieli, Flanders Recorder Quartet | A♭ Major | 0 | 4B | 66 BPM | ||
St. Matthew Passion, BWV 244b, Pt. 2: 62. Wenn ich einmal soll scheiden | Johann Sebastian Bach, Bethany Seymour, Sally Bruce-Payne, Joseph Cornwell, Peter Harvey, Helen Neeves, Nancy Cole, Julian Podger, Matthew Brook, Johnny Herford, Bethan Thomas, Eleanor Thompson, Elissa Edwards, Peter Seymour | A♭ Minor | 0 | 1A | 102 BPM | ||
Ach, weh des leiden | Hans Leo Hassler, Trinity Baroque, Julian Podger | G Minor | 0 | 6A | 108 BPM | ||
St. Matthew Passion, BWV 244b, Pt. 2: 66b. Herr, wir haben gedacht | Johann Sebastian Bach, Bethany Seymour, Helen Neeves, Sally Bruce-Payne, Nancy Cole, Joseph Cornwell, Julian Podger, Peter Harvey, Matthew Brook, Peter Seymour | B Minor | 3 | 10A | 93 BPM | ||
Piva | Joan Ambrosio Dalza, Shirley Rumsey | G Major | 1 | 9B | 122 BPM | ||
Vespro della Beata Vergine da concerto composto sopra canti fermi: Psalmus 121: Laetatus sum | Claudio Monteverdi, Stephen Stubbs, Barbara Borden, Suzie LeBlanc, Julian Podger, John Potter, Stephan MacLeod, Concerto Palatino, Tragicomedia, Alexander Schneider | B Major | 1 | 1B | 63 BPM | ||
Canaries | Thoinot Arbeau, Michael Praetorius, Capella De La Torre, Katharina Bauml | G Major | 2 | 9B | 90 BPM | ||
Ballo Francese chiamato Petit Rinense (Arr. for Wind Ensemble and Percussion by Nicolas Sansarlat) | Giovanni Ambrosio, Into the Winds | B♭ Major | 1 | 6B | 136 BPM | ||
Blow thy horn hunter | William Cornysh, Trinity Baroque, Julian Podger, The Holbein Consort, Steven Player, The Forbury Consort, Martin Pope, Alan Crumpler | G Major | 0 | 9B | 174 BPM | ||
Corrente IX | Alessandro Piccinini, Bor Zuljan | B♭ Minor | 1 | 3A | 75 BPM |
Section: 0.6334075927734375
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