Joan Ambrosio Dalza, Shirley Rumsey made "Piva" available on November 7, 1994. With Piva being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Shirley Rumsey's "Music of the Italian Renaissance" album is number 7 out of 25. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Piva's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Piva by Joan Ambrosio Dalza, Shirley Rumsey to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ma maistresse | Johannes Ockeghem, Capilla Flamenca | F Major | 1 | 7B | 125 BPM | ||
Correnta quarta | Carlo Farina, Musica Antiqua, Christian Mendoze | G Minor | 1 | 6A | 74 BPM | ||
Fantasia I | Luis de Milán, Shirley Rumsey | G Minor | 0 | 6A | 112 BPM | ||
Lute Sonata No. 9: I. Preludio | Giovanni Zamboni, Luciano Còntini | D♭ Minor | 0 | 12A | 179 BPM | ||
Gagliarda prima | Carlo Farina, Musica Antiqua, Christian Mendoze | F Major | 0 | 7B | 130 BPM | ||
Prélude en ré mineur | Robert de Visée, Rolf Lislevand | D♭ Minor | 0 | 12A | 86 BPM | ||
Alleluya | Antoine Busnois, Capilla Flamenca | E♭ Major | 1 | 5B | 80 BPM | ||
Terpsichore*: Spagnoletta | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 2 | 6B | 84 BPM | ||
Paradetas | Gaspar Sanz, Rolf Lislevand, Eduardo Eguez, Beatrice Pornon, Adela Gonzalez-Campa | D Major | 2 | 10B | 121 BPM | ||
In Nomine à 5 I | John Bull, Fretwork | C Minor | 1 | 5A | 92 BPM |
Section: 0.5810716152191162
End: 0.5844314098358154