"Lute Sonata No. 9: I. Preludio" by Giovanni Zamboni, Luciano Còntini was released on April 1, 2014. With Lute Sonata No. 9: I. Preludio being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zamboni: Sonatas for Lute by Giovanni Zamboni, Luciano Còntini. The song's track number on the album is #1 out of 31 tracks. The popularity of Lute Sonata No. 9: I. Preludio is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lute Sonata No. 9: I. Preludio by Giovanni Zamboni, Luciano Còntini has a tempo of 179 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Lute Sonata No. 9: I. Preludio being at 179 BPM, the half-time would be 90 BPM with a double-time of 358 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in C Major (Weiss) - Andante | Edward Martin and Paul Berget | B Major | 1 | 1B | 86 BPM | ||
Pièces de Luth, Livre I in A Minor: No. 1, Prelude | Charles Mouton, Hopkinson Smith | A♭ Minor | 1 | 1A | 64 BPM | ||
A Fantasy | Thomas Robinson, Ronn McFarlane, William Simms | F Major | 1 | 7B | 120 BPM | ||
A Fantasia, P. 71 | John Dowland, Bor Zuljan | F Minor | 1 | 4A | 95 BPM | ||
Diferencias sobre la Gallarda Milanesa (arr. for instrumental ensemble) | Antonio de Cabezón, Accentus Ensemble, Thomas Wimmer | E Major | 1 | 12B | 130 BPM | ||
Duets for 2 Lutes in a minor and F Major (Losy) - Allemande | Edward Martin and Paul Berget | A♭ Minor | 1 | 1A | 181 BPM | ||
Lamentatio | Charles Bocquet, Joachim Held | B Minor | 1 | 10A | 98 BPM | ||
Elizabeth and Essex - Queen Elizabeth's Gaillard | Hopkinson Smith, John Dowland | A Minor | 1 | 8A | 88 BPM | ||
Differencias sobre "Guarda me Las Vacas" | Luis de Narváez, Lutz Kirchhof | B♭ Major | 1 | 6B | 107 BPM | ||
Gintzler : Part II: Ave Maria | Heringman | D Minor | 0 | 7A | 80 BPM |
Section: 0.5561761856079102
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