Luis de Narváez, Lutz Kirchhof made "Differencias sobre "Guarda me Las Vacas"" available on February 29, 2000. The duration of Differencias sobre "Guarda me Las Vacas" is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Differencias sobre "Guarda me Las Vacas"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Lutz Kirchhof's "Lute Music for Witches and Alchemists" album is number 12 out of 30. In terms of popularity, Differencias sobre "Guarda me Las Vacas" is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Differencias sobre "Guarda me Las Vacas" by Luis de Narváez, Lutz Kirchhof to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Terpsichore*: a. Courante b. Courante c. Courante | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | C Major | 0 | 8B | 108 BPM | ||
Balletto (Arr. for Harp and Baroque Guitar) - From "Vatican, Biblioteca Apostolica, MSS Chigi Q. IV.28, ff. 44-45v" | Girolamo Frescobaldi, Eduardo Egüez, Giovanna Pessi | B Major | 1 | 1B | 120 BPM | ||
Suite in C minor: Couranta | Esaias Reusner, Lutz Kirchhof | B Minor | 2 | 10A | 81 BPM | ||
Suite in C minor: Sarabanda | Esaias Reusner, Lutz Kirchhof | F♯ Minor | 0 | 11A | 71 BPM | ||
Ayres for the Violin (arr. for guitar): Aria I | Nicola Matteis, Pierre Pitzl | B Minor | 2 | 10A | 86 BPM | ||
Dances: Galliard [32] | Anthony Holborne, Guildhall Waits, Trevor Jones, Consort Of Musicke, Anthony Rooley | E♭ Major | 0 | 5B | 121 BPM | ||
Fantasia del primero tono, Book I | Luis de Narváez, Lex Eisenhardt | G Minor | 1 | 6A | 143 BPM | ||
Cancion mille regres de Josquin des Prés, Book III | Luis de Narváez, Lex Eisenhardt | B♭ Major | 0 | 6B | 83 BPM | ||
L'amant content: Canarie | Francesca Torelli, Charles Mouton | F♯ Minor | 0 | 11A | 109 BPM | ||
Gigue de Angelis de Rome | Angelo Michele Bartolotti, Bernhard Hofstötter | D♭ Minor | 2 | 12A | 158 BPM |
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