John Playford, Baltimore Consort made "The English Dance Master, Vol. 1: The Beggar Boy" available on January 1, 1996. With The English Dance Master, Vol. 1: The Beggar Boy being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Playford, J.: Tunes and Their Ballads (A Trip To Killburn)". In this album, this song's track order is #3. The English Dance Master, Vol. 1: The Beggar Boy is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With The English Dance Master, Vol. 1: The Beggar Boy by John Playford, Baltimore Consort having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nuls om en ren: melody only | Aimeric de Belenoi, Martin Best Mediaeval Ensemble | A Minor | 0 | 8A | 112 BPM | ||
Farewell, Dear Love | Robert Jones, Danielle Svonavec, Baltimore Consort | D Minor | 1 | 7A | 68 BPM | ||
Estampie Janus | Richard I of England, Millenarium | F♯ Major | 1 | 2B | 201 BPM | ||
In Nomine | John Taverner, The Rose Consort Of Viols | E Major | 0 | 12B | 108 BPM | ||
Dwyer's Hornpipe | Patrick Weston Joyce, Baltimore Consort | G Major | 3 | 9B | 154 BPM | ||
Canaries | Thoinot Arbeau, Michael Praetorius, Capella De La Torre, Katharina Bauml | G Major | 2 | 9B | 90 BPM | ||
Danserye: Ronde: Il estoit une filette | Tylman Susato, Joculatores Upsalienses | F Major | 2 | 7B | 123 BPM | ||
Separation of Soul and Body | Turlough O'Carolan, Andrew Lawrence-King | F Major | 0 | 7B | 94 BPM | ||
Tandernaken: The Kynge Henry VIII | Henry VIII, Folger Consort | F Major | 1 | 7B | 139 BPM | ||
Introduzione al ballo, SV 154:1: Entrata e Passeggio | Claudio Monteverdi, Capella De La Torre, Katharina Bauml | A Major | 8 | 11B | 115 BPM |
Section: 0.46712827682495117
End: 0.4709744453430176