Circé, Act V Scene 6: Prélude - O rage! Ô douleur mortelle!
Henri Desmarets, Boston Early Music Festival Orchestra, Lucile Richardot, Robert Mealy
Desmarest: Circé
1:15 May 31, 2023
BPM
86
Key
F Minor
Camelot
4A

Embed

Share Link

Circé, Act V Scene 6: Prélude - O rage! Ô douleur mortelle! - Henri Desmarets, Boston Early Music Festival Orchestra, Lucile Richardot, Robert Mealy Information

Acousticness
98%
Danceability
43%
Energy
19%
Instrumentalness
0%
Liveness
70%
Loudness
72%
Speechiness
6%
Valence
39%
Popularity
Loudness
-16.613 dB

Summary

Henri Desmarets, Boston Early Music Festival Orchestra, Lucile Richardot, Robert Mealy's 'Circé, Act V Scene 6: Prélude - O rage! Ô douleur mortelle!' came out on May 31, 2023. With Circé, Act V Scene 6: Prélude - O rage! Ô douleur mortelle! being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 33 out of 110 in Desmarest: Circé by Henri Desmarets, Boston Early Music Festival Orchestra, Boston Early Music Festival Chorus, Paul O'Dette, Stephen Stubbs. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Circé, Act V Scene 6: Prélude - O rage! Ô douleur mortelle! is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Circé, Act V Scene 6: Prélude - O rage! Ô douleur mortelle! BPM

The tempo marking of Circé, Act V Scene 6: Prélude - O rage! Ô douleur mortelle! by Henri Desmarets, Boston Early Music Festival Orchestra, Lucile Richardot, Robert Mealy is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.

Circé, Act V Scene 6: Prélude - O rage! Ô douleur mortelle! Key

This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Salve Regina: No. 5., Et Jesu benedictum by Pasquale Anfossi, Andreas Scholl, Accademia Bizantina, Alessandro TampieriSalve Regina: No. 5., Et Jesu benedictumPasquale Anfossi, Andreas Scholl, Accademia Bizantina, Alessandro TampieriE Minor19A99 BPM
Pavane d'Angleterre – Galliarde - 6. Livre de Danceries - Branles de Pictou - 5. Livre de Danceries by İzmir BarokPavane d'Angleterre – Galliarde - 6. Livre de Danceries - Branles de Pictou - 5. Livre de Danceriesİzmir BarokD♭ Minor412A121 BPM
Te Deum, H. 146: VI. Te ergo quæsumus famulis tuis subveni by Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Jehanne AmzalTe Deum, H. 146: VI. Te ergo quæsumus famulis tuis subveniMarc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Jehanne AmzalB♭ Major46B106 BPM
Ihr lieben Christen, freut euch nun, BuxWV 66: II. Choral: Ihr lieben Christen, freut euch nun, BuxWV 66: II. Choral: "Ihr lieben Christen"Dietrich Buxtehude, Antonia Bourvé, Les Favorites, Vocalensemble Rastatt, Holger SpeckG Major29B129 BPM
Sonate No.5 (Six Sonates en symphonies op. 3): 2. Aria: Gratioso by Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc MinkowskiSonate No.5 (Six Sonates en symphonies op. 3): 2. Aria: GratiosoJean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc MinkowskiF♯ Minor011A106 BPM
Missa Divi Xaverii, ZWV 12: Qui tollis I by Jan Dismas Zelenka, Collegium Vocale 1704, Collegium 1704, Vaclav LuksMissa Divi Xaverii, ZWV 12: Qui tollis IJan Dismas Zelenka, Collegium Vocale 1704, Collegium 1704, Vaclav LuksF Major07B138 BPM
Te Deum Te Deum "de Lyon": XVII. Miserere nostri DomineHenri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, David WitczakB♭ Major46B106 BPM
Ouverture-Suite in G Minor, TWV 55:g4: VII. Menuet I - II by Georg Philipp Telemann, The English Concert, Trevor PinnockOuverture-Suite in G Minor, TWV 55:g4: VII. Menuet I - IIGeorg Philipp Telemann, The English Concert, Trevor PinnockF♯ Minor011A78 BPM
Te Deum, H. 146: V. Tu de victo mortis aculeo by Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, David WitczakTe Deum, H. 146: V. Tu de victo mortis aculeoMarc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, David WitczakB♭ Major46B106 BPM
Little Consort in Two Parts for Severall Friends in C minor-major: VII. Courante by Matthew Locke, Rachel Podger, Brecon BaroqueLittle Consort in Two Parts for Severall Friends in C minor-major: VII. CouranteMatthew Locke, Rachel Podger, Brecon BaroqueA♭ Minor21A112 BPM
ISRC
DEB202359409
Label
L-M Records/RCA Records

Section: 0.7275567054748535

End: 0.7310609817504883