Georg Philipp Telemann, The English Concert, Trevor Pinnock's 'Ouverture-Suite in G Minor, TWV 55:g4: VII. Menuet I - II' came out on 1994. The duration of Ouverture-Suite in G Minor, TWV 55:g4: VII. Menuet I - II is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Ouverture-Suite in G Minor, TWV 55:g4: VII. Menuet I - II's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Telemann: Concerto in D Major & Suiten". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Germany. Ouverture-Suite in G Minor, TWV 55:g4: VII. Menuet I - II is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ouverture-Suite in G Minor, TWV 55:g4: VII. Menuet I - II by Georg Philipp Telemann, The English Concert, Trevor Pinnock having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in E Minor, TWV 50:4: III. Air | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | B♭ Minor | 0 | 3A | 67 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 7, La douceur | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Sinfonia avanti il Barcheggio for Trumpet, 2 Violins and Continuo: II. Andante | Alessandro Stradella, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A Major | 3 | 11B | 123 BPM | ||
Hamburg Symphony No. 6 in E Major, Wq. 182: II. Poco andante | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Concerto XVI In Fa Maggiore, Per Due Oboi, Archi E Continuo: III. Andante Ma Non Presto | Alessandro Marcello, Venice Baroque Orchestra | E Major | 1 | 12B | 112 BPM | ||
Suite in C Minor: III. Borre | Nicola Matteis, Le Consort | B Major | 0 | 1B | 84 BPM | ||
Armide, LWV 71, Act I Scene 3: Sarabande (II) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | C Major | 3 | 8B | 112 BPM | ||
Atys, LWV 53, Prologue: Air pour la suite de Melpomène | Jean-Baptiste Lully, Les Talens Lyriques, Christophe Rousset | B♭ Major | 2 | 6B | 119 BPM | ||
Neubrandenburg Concerto No. 1: II. Aria (Transcr. By Harer, after Bach's Aria variata alla maniera italiana BWV 989) | Johann Sebastian Bach, Christoph Harer, La Festa Musicale | F♯ Minor | 0 | 11A | 89 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 6, La noble fierté | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM |
Section: 0.4923133850097656
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