"Danse macabre, Op. 40" by Camille Saint-Saëns, Lorin Maazel, Orchestre National De France was released on 1964. Since Danse macabre, Op. 40 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Saint-Saëns: Greatest Hits". In this album, this song's track order is #4. Based on our statistics, Danse macabre, Op. 40's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Danse macabre, Op. 40 by Camille Saint-Saëns, Lorin Maazel, Orchestre National De France having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Introduction et Rondo capriccioso in A Minor, Op. 28, R. 188 | Camille Saint-Saëns, Tianwa Yang, Malmö Symphony Orchestra, Marc Soustrot | C Major | 1 | 8B | 129 BPM | ||
Eine Kleine Nachtmusik (Allegro) | Academy of St. Martin in the Fields | G Major | 2 | 9B | 137 BPM | ||
Le carnaval des animaux: VII. Aquarium | Anonymous, Camille Saint-Saëns, Ferhan Önder, Ferzan Önder, Zurich Chamber Orchestra, Howard Griffiths | A Minor | 1 | 8A | 129 BPM | ||
Also sprach Zarathustra, Op. 30: I. Einleitung, oder Sonnenaufgang | Richard Strauss, Chicago Symphony Orchestra, Pierre Boulez | B Major | 0 | 1B | 78 BPM | ||
String Quartet No. 8 In C Minor, Op. 110 II. Allegro molto (attacca:) | Saint Petersburg Orchestra of the State Hermitage Museum Camerata | E Minor | 2 | 9A | 142 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
Funeral March in C Minor, Op. 72, No. 2 | Frédéric Chopin, Alex Szilasi | A♭ Major | 0 | 4B | 67 BPM | ||
Symphony No. 6: VI. Allegro | Howard Hanson, Helsinki Philharmonic Orchestra, Leif Segerstam | B♭ Minor | 3 | 3A | 65 BPM | ||
The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, Lorin Maazel, L'Orchestre National de France, Orchestre National De France | A♭ Major | 0 | 4B | 139 BPM | ||
The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | F Major | 2 | 7B | 132 BPM |
Section: 0.7892615795135498
End: 0.7932281494140625