"Symphony No. 6: VI. Allegro" by Howard Hanson, Helsinki Philharmonic Orchestra, Leif Segerstam was released on January 1, 1997. With Symphony No. 6: VI. Allegro being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Orchestral Music - Leif, S. / Shostakovich, D. / Nielsen, C. / Schulhoff, E. (Earquake)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Finland. Symphony No. 6: VI. Allegro is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 6: VI. Allegro by Howard Hanson, Helsinki Philharmonic Orchestra, Leif Segerstam having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The 4 Orchestral Colors: Introduction | Howard Hanson, The Eastman-Rochester Orchestra | F♯ Major | 6 | 2B | 76 BPM | ||
Festive Overture, Op.96 | Dmitri Shostakovich, Maxim Shostakovich, London Symphony Orchestra | A Major | 3 | 11B | 83 BPM | ||
Scheherazade: The voice of Scheherazade | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 132 BPM | ||
Hekla, Op. 52 | Jón Leifs, Helsinki Philharmonic Orchestra, Leif Segerstam | F Minor | 6 | 4A | 115 BPM | ||
Mass in C Major, Op. 86: II. Gloria | Ludwig van Beethoven, Kaisa Ranta, Niina Keitel, Topi Lehtipuu, Nicholas Söderlund, Chorus Cathedralis Aboensis, Turku Philharmonic Orchestra, Leif Segerstam | C Major | 3 | 8B | 104 BPM | ||
Pictures at an Exhibition (Orch. Ravel): IX. The Hut on Chicken's Legs | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | G Major | 2 | 9B | 166 BPM | ||
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: IV. Finale (Allegro con fuoco) | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | F Minor | 4 | 4A | 80 BPM | ||
Requiem in D minor, K.626: 3. Sequentia: Dies irae | Wolfgang Amadeus Mozart, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | G Minor | 4 | 6A | 162 BPM | ||
For the First Time: Tamara and Peter Bolshoi | Howard Hanson, Thomas Labe | F♯ Major | 3 | 2B | 94 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: Romeo | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 0 | 8B | 132 BPM |
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