"Mass in C Major, Op. 86: II. Gloria" by Ludwig van Beethoven, Kaisa Ranta, Niina Keitel, Topi Lehtipuu, Nicholas Söderlund, Chorus Cathedralis Aboensis, Turku Philharmonic Orchestra, Leif Segerstam was released on April 10, 2020. Since Mass in C Major, Op. 86: II. Gloria is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 7 in Beethoven: Mass in C Major & Other Sacred Works by Ludwig van Beethoven, Chorus Cathedralis Aboensis, Turku Philharmonic Orchestra, Leif Segerstam. In terms of popularity, Mass in C Major, Op. 86: II. Gloria is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass in C Major, Op. 86: II. Gloria by Ludwig van Beethoven, Kaisa Ranta, Niina Keitel, Topi Lehtipuu, Nicholas Söderlund, Chorus Cathedralis Aboensis, Turku Philharmonic Orchestra, Leif Segerstam is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Symphony No. 1 in C Minor, Op. 68: III. Un poco allegretto e grazioso | Johannes Brahms, London Symphony Orchestra, Valery Gergiev | A♭ Major | 1 | 4B | 133 BPM | ||
Mass No. 5 in E-Flat Major, Hob. XXII:4, "Missa in honorem BVM", "Missa Sancti Josephi", "Grosse Orgelsolomesse": Agnus Dei | Joseph Haydn, Ann Hoyt, Luthien Brackett, Stephen Sands, Richard Lippold, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | G Minor | 2 | 6A | 90 BPM | ||
6 Moments musicaux, Op. 16: No. 5, Adagio sostenuto | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
Arsilda, regina di Ponto, RV 700: La tiranna avversa sorte I | Antonio Vivaldi, Diego Fasolis, I Barocchisti, Topi Lehtipuu | B Major | 5 | 1B | 111 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields, Ian Watson | D Major | 3 | 10B | 99 BPM | ||
Overture to 'La Sirene' | François Auber, Gothenburg Opera Orchestra, Tommy Anderson, Västerås Symphony Orchestra, Gävle Symphony Orchestra, Royal Danish Orchestra, Stuttgart Philharmonic Orchestra, Turku Philharmonic Orchestra, Helsingborg Symphony Orchestra, Moscow Symphony Orchestra, NDR Radiophilharmonie, Malmö Opera Orchestra, Radio Filharmonisch Orkest, Symphony Orchestra Of Norrlands Opera, Pilsen Philharmonic Orchestra, Latvian National Symphony, SWR Radiofunkorchester, Kaiserslauten, Orquesta Sinfónica de San Luis Potosí | D Major | 1 | 10B | 94 BPM | ||
Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | G Minor | 0 | 6A | 99 BPM |
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