Howard Hanson, Thomas Labe's 'For the First Time: Tamara and Peter Bolshoi' came out on May 29, 2000. With For the First Time: Tamara and Peter Bolshoi being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Howard Hanson's "Hanson: Piano Sonata / Poemes Erotiques / for the First Time" album is number 17 out of 28. In terms of popularity, For the First Time: Tamara and Peter Bolshoi is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of For the First Time: Tamara and Peter Bolshoi by Howard Hanson, Thomas Labe to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Festive Overture, Op.96 | Dmitri Shostakovich, Maxim Shostakovich, London Symphony Orchestra | A Major | 3 | 11B | 83 BPM | ||
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | B♭ Major | 4 | 6B | 138 BPM | ||
Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
The Firebird Suite (1919 Version): Finale - Remastered | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | E Major | 3 | 12B | 78 BPM | ||
Symphony for Strings in A-Flat, Op. 118a: I. Andante (Transcribed from String Quartet No. 10) | Dmitri Shostakovich, Yuli Turovsky, I Musici de Montréal | A Major | 0 | 11B | 88 BPM | ||
Finlandia, Op. 26, No. 7 | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 3 | 4B | 67 BPM | ||
Spirituals for String Choir & Orchestra: 2. Sermon - Bande originale du film "L'armée des ombres" | Eastman-Rochester Orchestra, Howard Hanson | C Major | 1 | 8B | 113 BPM |
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