"Le Corsaire : Act I, No.16 Finale" by Orchestra of Ekaterinburg State Academic Opera and Ballet Theatre of Russia, Evgeny Brazhnik was released on January 1, 2003. With Le Corsaire : Act I, No.16 Finale being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 9 out of 30 in Ballet Highlights. Adam, Delibes by Orchestra of Ekaterinburg State Academic Opera and Ballet Theatre of Russia. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Le Corsaire : Act I, No.16 Finale is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Le Corsaire : Act I, No.16 Finale by Orchestra of Ekaterinburg State Academic Opera and Ballet Theatre of Russia, Evgeny Brazhnik is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gaîté parisienne: Polka I | Jacques Offenbach, Pittsburgh Symphony Orchestra, André Previn | E♭ Major | 2 | 5B | 163 BPM | ||
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Act I: The Dance Of Espada & Toreros With Cloaks (Minkus) | Mariinsky Orchestra | B♭ Major | 2 | 6B | 180 BPM | ||
Coppelia: Act I - Theme slave varie | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E Major | 0 | 12B | 130 BPM | ||
Inocente Galindo | Zarahuato | E♭ Major | 0 | 5B | 79 BPM | ||
The Gadfly, Op97: 14. Galop | Dmitri Shostakovich, Philadelphia Orchestra, Riccardo Chailly | G Major | 2 | 9B | 82 BPM | ||
Etudes: XI. Small leaps | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | G Major | 1 | 9B | 159 BPM | ||
Manon Ballet - Arranged and orchestrated by Leighton Lucas with the collaboration of Hilda Gaunt / Act 3: Scene 3 - A Swamp in Louisiana | Jules Massenet, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D♭ Major | 3 | 3B | 70 BPM | ||
Soirees musicales, Op. 9: II. Canzonetta | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | A Major | 1 | 11B | 123 BPM | ||
Strauss, Josef: Geheime Anziehungskräfte, Op. 173 | Josef Strauss, Rudolf Kempe, Wiener Philharmoniker | E Major | 1 | 12B | 144 BPM |
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