"Nocturnes, Op. 32: No. 1 in B Major" by Frédéric Chopin, Arthur Rubinstein was released on 1946. With this song being about 5 minutes long, at 4:35, "Nocturnes, Op. 32: No. 1 in B Major" by Frédéric Chopin, Arthur Rubinstein is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 151 in the song's album "The Original Jacket Collection - Rubinstein Plays Chopin". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Nocturnes, Op. 32: No. 1 in B Major is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nocturnes, Op. 32: No. 1 in B Major by Frédéric Chopin, Arthur Rubinstein having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: VI. Passacaglia | Ottorino Respighi, Konstantin Scherbakov | G Minor | 2 | 6A | 96 BPM | ||
Carnaval, Op. 9: 12. Chopin | Robert Schumann, Arthur Rubinstein | A♭ Major | 0 | 4B | 70 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Lyric Pieces Book X, Op. 71: No. 3 Puck | Edvard Grieg, Emil Gilels | B Major | 1 | 1B | 92 BPM | ||
Danzas Argentinas, Op. 2: 2. Danza de la moza donosa | Alberto Ginastera, Lang Lang | A Minor | 0 | 8A | 134 BPM | ||
8 pièces brèves, Op.84: 5. Improvisation in C sharp minor | Gabriel Fauré, Kun-Woo Paik | D♭ Major | 0 | 3B | 74 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: II. Quasi Adagio | Franz Liszt, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | A♭ Minor | 0 | 1A | 165 BPM | ||
Trio for Violin, Cello & Piano #1, Op. 99 D. 898: Iii. Scherzo. Allegro | Franz Schubert, Isaac Stern, Paul Tortelier, Arthur Rubinstein | G Minor | 3 | 6A | 66 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM |
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