"An der schönen blauen Donau, Walzer, Op. 314" by Johann Strauss II, Andris Nelsons, Wiener Philharmoniker was released on January 17, 2020. An der schönen blauen Donau, Walzer, Op. 314 appears to be safe for all ages as it is not explicit. There are a total of 20 in the song's album "Neujahrskonzert 2020 / New Year's Concert 2020 / Concert du Nouvel An 2020". In this album, this song's track order is #19. Furthermore, we believe that the track originated from United States. The popularity of An der schönen blauen Donau, Walzer, Op. 314 is currently average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With An der schönen blauen Donau, Walzer, Op. 314 by Johann Strauss II, Andris Nelsons, Wiener Philharmoniker having a BPM of 200 with a half-time of 100 BPM and a double-time of 400 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Holberg Suite, Op.40: 1. Präludium (Allegro vivace) | Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 142 BPM | ||
Military Marches, Op. 39 "Pomp and Circumstance": March No. 1 | Edward Elgar, Andrew Davis, BBC Philharmonic | D Major | 3 | 10B | 122 BPM | ||
Estudiantina-Polka | Joseph Hellmesberger, Jr., Christian Thielemann, Wiener Philharmoniker | A Major | 4 | 11B | 100 BPM | ||
GoldBergHain (Quodlibet on "Kraut und Rüben haben mich vertrieben") for Violin & String Orchestra | Stephan Koncz, Niklas Liepe, NDR Radiophilharmonie, Jamie Phillips | G Major | 1 | 9B | 117 BPM | ||
Der Zigeunerbaron: Ouvertüre | Johann Strauss II, Münchner Rundfunkorchester/Willi Boskovsky, Willi Boskovsky, Muenchner Rundfunkorchester, Munich Radio Orchestra | B♭ Major | 1 | 6B | 86 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 4: Prelude. Morning Mood | Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 0 | 12B | 137 BPM | ||
Les Contes d'Hoffmann, in A Major Act 3 - "Barcarolle Belle nuit, o nuit d'amour" | Nederica Stepan | D Major | 1 | 10B | 92 BPM | ||
African Suite: V. Akinla: Allegro non troppo | Fela Sowande, Chicago Sinfonietta, Paul Freeman | C Major | 0 | 8B | 130 BPM | ||
Dvořák: 8 Slavonic Dances, Op. 72, B. 147: No. 10 in E Minor | Antonín Dvořák, Lorin Maazel, Berliner Philharmoniker | C Major | 1 | 8B | 81 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM |
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