"Missa pro defunctis a 5 "Requiem": VIII. Communio" by Cristobal de Morales, The Gesualdo Six, Owain Park was released on September 2, 2022. The duration of Missa pro defunctis a 5 "Requiem": VIII. Communio is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Missa pro defunctis a 5 "Requiem": VIII. Communio's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Gesualdo Six, Neil Cox, Owain Park, Thomas Tallis, Donna McKevitt, John Tavener, Howard Skempton, Cristobal de Morales, William Byrd, Henry Purcell, Douglas Guest, Eleanor Daley, James O'Donnell, Joanna Marsh, Richard Rodney Bennett's "Lux aeterna: A Sequence for the Souls of the Departed" album is number 14 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Missa pro defunctis a 5 "Requiem": VIII. Communio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa pro defunctis a 5 "Requiem": VIII. Communio by Cristobal de Morales, The Gesualdo Six, Owain Park to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Che si può fare? | Barbara Strozzi, Simone Kermes, Enrico Casazza | E Minor | 1 | 9A | 112 BPM | ||
Eternal Source of Light Divine | George Frideric Handel, Fair Oriana | B Major | 1 | 1B | 87 BPM | ||
Crucifixus | Antonio Lotti, Armonico Consort, Christopher Monks | C Minor | 1 | 5A | 127 BPM | ||
Missa pro Defunctis (1544): Kyrie | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 91 BPM | ||
Requiem: VI. Agnus Dei | Pierre de la Rue, Dominique Visse, Ensemble Clément Janequin | E♭ Minor | 1 | 2A | 63 BPM | ||
Parce Mihi Domine - Var. 2 | Jan Garbarek, Cristobal de Morales, The Hilliard Ensemble | B♭ Major | 1 | 6B | 80 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Requiem canticorum: De profundis | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | A Minor | 0 | 8A | 80 BPM | ||
Woman´s Prayer | George Gurdjieff, Anja Lechner, Vassilis Tsabropoulos | F Minor | 0 | 4A | 83 BPM | ||
Tant que vivray | Claudin de Sermisy, Ensemble Clément Janequin, Dominique Visse | E Major | 1 | 12B | 72 BPM |
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