Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth made "Kapitel 3.3 - Wie Google tickt - How Google Works" available on January 8, 2015. The duration of Kapitel 3.3 - Wie Google tickt - How Google Works is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Kapitel 3.3 - Wie Google tickt - How Google Works's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #6 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. Kapitel 3.3 - Wie Google tickt - How Google Works is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Kapitel 3.3 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Kapitel 3.3 - Wie Google tickt - How Google Works being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Moravské dvojzpěvy, 2. řada, Op. 29: V. Slavíkovský polečko malý | Antonín Dvořák, Magdaléna Hajóssyová, Marta Benackova, Marián Lapšanský | A Minor | 0 | 8A | 101 BPM | ||
In Windsor Forest: No. 3, Falstaff and the Fairies | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron, Rachel Ambrose Evans | G Major | 1 | 9B | 79 BPM | ||
Schubert: Schwanengesang, D. 957: No. 4, Ständchen | Franz Schubert, Ian Bostridge, Antonio Pappano | D Minor | 0 | 7A | 69 BPM | ||
Requiem in D Minor, K. 626 (Paris 1804 Version): I. Introït | Niccolò Jommelli, Chantal Santon Jeffery, Éléonore Pancrazi, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | E Minor | 0 | 9A | 88 BPM | ||
Kapitel 51.3 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth | A Major | 3 | 11B | 76 BPM | ||
Handel: Theodora, HWV 68, Pt. 1 Scene 1: Chorus. "And Draw a Blessing Down" (The Heathens) | George Frideric Handel, Maxim Emelyanychev, Il Pomo D'oro | D♭ Major | 1 | 3B | 98 BPM | ||
Messe F-Moll, WAB 28: I. Kyrie | Anton Bruckner, Hans-Jörg Mammel, Philippe Herreweghe, Joseph Moor, Ingela Bohlin, Alfred Reiter, RIAS Kammerchor, Ingeborg Danz | G Major | 1 | 9B | 81 BPM | ||
Paulus, Op. 36, MWV A14 / Part 1: No. 19 Rezitativ: "Es war aber ein Jünger" | Felix Mendelssohn, Hans Peter Blochwitz, Gundula Janowitz, Gewandhausorchester, Kurt Masur | C Major | 1 | 8B | 79 BPM | ||
Petite messe solennelle: VIII. Gloria. Qui tollis | Gioachino Rossini, Giulio Prandi, Sandrine Piau, José Maria Lo Monaco, Francesco Corti, Deniel Perer | A Minor | 1 | 8A | 83 BPM | ||
HFTEPX | KNOXVILLETRACKZ | D Minor | 0 | 7A | 65 BPM |
Section: 0.8501899242401123
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