Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth made "Kapitel 51.3 - Wie Google tickt - How Google Works" available on January 8, 2015. The duration of Kapitel 51.3 - Wie Google tickt - How Google Works is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Kapitel 51.3 - Wie Google tickt - How Google Works's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #111 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. Kapitel 51.3 - Wie Google tickt - How Google Works is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Kapitel 51.3 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Kapitel 51.3 - Wie Google tickt - How Google Works being at 76 BPM, the half-time would be 38 BPM with a double-time of 152 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel: Samson, HWV 57, Act 1: "Total eclipse!" (Samson) | George Frideric Handel, Raymond Leppard, English Chamber Orchestra | E Minor | 1 | 9A | 75 BPM | ||
La vestale, Act II: Prayer: O des infortunes | Gaspare Spontini, Renata Scotto, Budapest Symphony Orchestra, Charles Rosekrans | B Minor | 1 | 10A | 68 BPM | ||
Lasciatemi morire! | Claudio Monteverdi, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM | ||
Arpeggione Sonata in A Minor, D. 821 (Arr. for Flute & String Quintet by Anonymous): II. Adagio | Franz Schubert, Krzysztof Kaczka, Metropolitan Opera Orchestra | E Major | 1 | 12B | 105 BPM | ||
A Mass of Life, RT II/4, Pt. 1: I. Animato—O du mein Wille! | Frederick Delius, Friedrich Nietzsche, Bergen Philharmonic Orchestra, Sir Mark Elder | F Major | 4 | 7B | 102 BPM | ||
Carmina Burana, Pt. 1: No. 7, Floret silva nobilis | Carl Orff, Atlanta Symphony Orchestra, Robert Shaw | D Minor | 1 | 7A | 138 BPM | ||
Lachrimae Coactae Pavan | John Dowland, Thurston Dart, Thurson Dart, London Philharmonic Orchestra | C Major | 1 | 8B | 153 BPM | ||
Stabat Mater, P. 77: O quam tristis | Giovanni Battista Pergolesi, Choeur d'enfants de l'Opéra national de Paris, Gaël Darchen | F Minor | 1 | 4A | 76 BPM | ||
Gloria, soprano & hautbois: Domine Deus | Antonio Vivaldi, F. Rauber, Orchestre & Choeur de Paul Kuentz, Barbara Shlick, Gildas Prado, Bernard Galinier | C Major | 0 | 8B | 135 BPM | ||
Carmina Burana, Pt. 1: No. 4, Omnia sol temperat | Carl Orff, Atlanta Symphony Orchestra, Robert Shaw, Håkan Hagegård | F Major | 1 | 7B | 95 BPM |
Section: 0.7154707908630371
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