"Carmina Burana, Pt. 1: No. 4, Omnia sol temperat" by Carl Orff, Atlanta Symphony Orchestra, Robert Shaw, Håkan Hagegård was released on February 27, 2001. The duration of Carmina Burana, Pt. 1: No. 4, Omnia sol temperat is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Carmina Burana, Pt. 1: No. 4, Omnia sol temperat's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. In terms of popularity, Carmina Burana, Pt. 1: No. 4, Omnia sol temperat is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana, Pt. 1: No. 4, Omnia sol temperat by Carl Orff, Atlanta Symphony Orchestra, Robert Shaw, Håkan Hagegård having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, Opera Suite No. 2: II. Habanera (Act 1) | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 123 BPM | ||
Carmina Burana / Fortuna Imperatrix Mundi: "O Fortuna" - Reprise / Live from the Forbidden City | Carl Orff, Wiener Singakademie, Heinz Ferlesch, Shanghai Symphony Orchestra, Long Yu | D Major | 5 | 10B | 160 BPM | ||
Carmen, Act IV, No.26 Marche et Choeur: Les voici! Voici le quadrille! (Choeurs/Enfants) | Georges Bizet, Choeur Les Elements, Orchestre National Du Capitole De Toulouse, Michel Plasson, Wolff | D♭ Minor | 2 | 12A | 93 BPM | ||
Carmen: Act II: Couplets: Votre toast, je peux vous le rendre (Escamillo, Chorus, Carmen) | Georges Bizet, Graciela Alperyn, Giorgio Lamberti, Ann Liebeck, Doina Palade, Danilo Rigosa, Dalia Schaechter, Alan Titus, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | F Major | 3 | 7B | 109 BPM | ||
Incipiunt Laudes Creaturarum, quas fecit Beatus Franciscus ad laudem et Honorem Dei, Sonnengesang des hl. Franziskus, für gemischten Chor a cappella aus Concento di voci II, Carl Orff 1954 | Carl Orff, Sonja Korkeala, Carolin Widmann, Karl Peinkofer, Andreas Schumacher, Markus Zahnhausen, Wilfried Hiller, Martin Ruhland, Godela Orff, Max Frey | C Major | 0 | 8B | 92 BPM | ||
The Four Seasons - Spring in E Major, RV. 269: I. Allegro | Antonio Vivaldi, Adrian Chandler, La Serenissima | A♭ Major | 3 | 4B | 126 BPM | ||
The 4 Seasons: Violin Concerto in G minor, Op. 8, No. 2, RV 315, "L'estate" (Summer): III. Presto | Karoly Botvay | G Major | 3 | 9B | 137 BPM | ||
Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | ||
Scythian Suite, Op. 20 - "Ala and Lolly": II. The Enemy God and the Dance of the Spirits of Darkness | Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado | C Major | 3 | 8B | 118 BPM | ||
Peer Gynt, Op. 23 - Incidental Music: No. 12a The Death of Ase | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | B Minor | 0 | 10A | 113 BPM |
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