Carl Orff, Wiener Singakademie, Heinz Ferlesch, Shanghai Symphony Orchestra, Long Yu's 'Carmina Burana / Fortuna Imperatrix Mundi: "O Fortuna" - Reprise / Live from the Forbidden City' came out on January 18, 2019. The duration of Carmina Burana / Fortuna Imperatrix Mundi: "O Fortuna" - Reprise / Live from the Forbidden City is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Carmina Burana / Fortuna Imperatrix Mundi: "O Fortuna" - Reprise / Live from the Forbidden City's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Orff: Carmina Burana (Live from the Forbidden City)". In this album, this song's track order is #25. The popularity of Carmina Burana / Fortuna Imperatrix Mundi: "O Fortuna" - Reprise / Live from the Forbidden City is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana / Fortuna Imperatrix Mundi: "O Fortuna" - Reprise / Live from the Forbidden City by Carl Orff, Wiener Singakademie, Heinz Ferlesch, Shanghai Symphony Orchestra, Long Yu having a BPM of 160 with a half-time of 80 BPM and a double-time of 320 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La traviata / Act 1: "Libiamo ne'lieti calici" (Brindisi) | Giuseppe Verdi, Luciano Pavarotti, Wendy White, Anthony Laciura, Metropolitan Opera Orchestra, James Levine, Metropolitan Opera Chorus | B♭ Major | 1 | 6B | 111 BPM | ||
Tosca: Act II: Vissi d'arte, vissi d'amore (Tosca, Scarpia) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | A♭ Major | 3 | 4B | 176 BPM | ||
Puccini: Tosca, Act 3 Scene 4: "Com'è lunga l'attesa!" (Tosca) | Giacomo Puccini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | B Major | 5 | 1B | 88 BPM | ||
Tosca / Act 3: "E lucevan le stelle" | Giacomo Puccini, Joseph Calleja, Orchestre de la Suisse Romande, Marco Armiliato | B Minor | 2 | 10A | 164 BPM | ||
Swan Lake, Op. 20, TH. 12: Pas de trois: 2. Andante sostenuto (Arr. Eshkeri and Orch. Dannheisser) | Belgrade Philharmonic Orchestra, Andy Brown | C Minor | 1 | 5A | 90 BPM | ||
Émigré, Act I: Yu Garden | Aaron Zigman, Meigui Zhang, Arnold Livingston Geis, Shanghai Symphony Orchestra, Long Yu | A Major | 2 | 11B | 84 BPM | ||
Carmina Burana: III Cour d'amours: Amor volat Undique | Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Celestina Casapietra, Horst Hiestermann, Karl-Heinz Stryczek, MDR Leipzig Radio Chorus, Dresdner Kapellknaben, Konrad Wagner, Herbert Kegel | G Major | 0 | 9B | 140 BPM | ||
Dido and Aeneas, Z. 626: Act III: When I am Laid in Earth | Henry Purcell, Leontyne Price, Francesco Molinari-Pradelli | G Minor | 1 | 6A | 86 BPM | ||
Bach, J.S.: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Hallé, Owain Arwel Hughes | D Major | 2 | 10B | 85 BPM | ||
Rusalka, Op.114 / Act 1: Mesicku na nebi hlubokém | Antonín Dvořák, Renée Fleming, Czech Philharmonic Orchestra, Sir Charles Mackerras | F♯ Major | 0 | 2B | 91 BPM |
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