"Rusalka, Op.114 / Act 1: Mesicku na nebi hlubokém" by Antonín Dvořák, Renée Fleming, Czech Philharmonic Orchestra, Sir Charles Mackerras was released on January 1, 1998. Rusalka, Op.114 / Act 1: Mesicku na nebi hlubokém is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. The song is number 6 out of 30 in Dvorák: Rusalka by Antonín Dvořák, Renée Fleming, Ben Heppner, Czech Philharmonic Orchestra, Sir Charles Mackerras. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Rusalka, Op.114 / Act 1: Mesicku na nebi hlubokém is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rusalka, Op.114 / Act 1: Mesicku na nebi hlubokém by Antonín Dvořák, Renée Fleming, Czech Philharmonic Orchestra, Sir Charles Mackerras is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater, Op. 58, B. 71: Inflammatus et accensus | Antonín Dvořák, Christine Brewer, Marietta Simpson, John Aler, Ding Gao, The Washington Chorus, Washington Orchestra, Robert Shafer | D Minor | 0 | 7A | 112 BPM | ||
Je te veux | Erik Satie, Patricia Petibon, Susan Manoff, Christian-Pierre La Marca | C Major | 1 | 8B | 76 BPM | ||
Zadok the Priest (Coronation Anthem No.1, HWV 258) | George Frideric Handel, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 95 BPM | ||
Songs My Mother Taught Me, Op. 55, No. 4 (Arr. for Violin and Orchestra) | Antonín Dvořák, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | D Major | 2 | 10B | 102 BPM | ||
Gloria - Arr. Edwards/Hirschfelder | Jeffrey Crellin, Geoffrey Payne, Choir, Orchestra, Ricky Edwards | D Major | 4 | 10B | 59 BPM | ||
Symphony No. 2 in C Minor "Resurrection": V. Finale. In Tempo des Scherzos | Gustav Mahler, Bradley Cooper, Rosa Feola, Isabel Leonard, London Symphony Chorus, London Symphony Orchestra, Yannick Nézet-Séguin | E♭ Major | 4 | 5B | 136 BPM | ||
Rusalka, Op. 114 / Act 1: Cury mury fuk | Antonín Dvořák, Dolora Zajick, Franz Hawlata, Czech Philharmonic Orchestra, Sir Charles Mackerras | B Major | 1 | 1B | 123 BPM | ||
Poco Adagio (4e Symphonie, 3e Movement) | José van Dam | G Major | 1 | 9B | 173 BPM | ||
Caro mio ben | Tomasso Giordani, Cecilia Bartoli, György Fischer | E♭ Major | 0 | 5B | 74 BPM | ||
Thaïs: Méditation (Arr. Knoth) | Jules Massenet, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | D Major | 1 | 10B | 116 BPM |
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