"Stabat Mater, Op. 58, B. 71: Inflammatus et accensus" by Antonín Dvořák, Christine Brewer, Marietta Simpson, John Aler, Ding Gao, The Washington Chorus, Washington Orchestra, Robert Shafer was released on August 12, 2002. Stabat Mater, Op. 58, B. 71: Inflammatus et accensus is about six minutes long, preciously at 6:01, making this song fairly long compared to other songs. The song is number 2 out of 11 in Dvorak: Stabat Mater / Psalm 149 by Antonín Dvořák. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Stabat Mater, Op. 58, B. 71: Inflammatus et accensus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Stabat Mater, Op. 58, B. 71: Inflammatus et accensus by Antonín Dvořák, Christine Brewer, Marietta Simpson, John Aler, Ding Gao, The Washington Chorus, Washington Orchestra, Robert Shafer is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 1/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.3 Song with Chorus: "Bunte Schlangen, zweigezüngt" | Felix Mendelssohn, Jennifer Vyvyan, Marion Lowe, Female Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Peter Maag | A Major | 1 | 11B | 88 BPM | ||
Parsifal / Act 2: "Komm, holder Knabe!" | Richard Wagner, Heidi Grant Murphy, Kaaren Erickson, Korliss Uecker, Joyce Guyer, Jane Bunnell, Wendy White, Plácido Domingo, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
Requiem: XI. Domine Jesu Christe | Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra, Karen Cargill, Stuart Neill, John Relyea, Christine Brewer | A♭ Major | 0 | 4B | 125 BPM | ||
Symphony No. 1 in C Minor, Op. 3, B. 9 - "The Bells of Zlonice": II. Adagio di molto | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelik | A♭ Major | 1 | 4B | 71 BPM | ||
Porgy and Bess: Act I Scene 1: Summertime | George Gershwin, Andrew Litton, Cynthia Haymon, Dallas Symphony Chorus, Dallas Symphony Orchestra | E Major | 1 | 12B | 62 BPM | ||
Cello Concerto No.1, Op.107: 4. Allegro con moto | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | A♭ Major | 2 | 4B | 143 BPM | ||
Strauss, R: 4 Lieder, Op. 27: I. Ruhe, meine Seele | Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | D Minor | 1 | 7A | 89 BPM | ||
Endecha y Oremus | Francisco Tárrega, Andrés Madariaga | D Minor | 0 | 7A | 133 BPM | ||
Requiem: I. Requiem Aeternam | Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra, Stuart Neill, John Relyea | A Minor | 0 | 8A | 85 BPM | ||
Terzetto in C Major, Op. 74, B. 148: III. Scherzo: Vivace | Antonín Dvořák, Vlach Quartet Prague | A Major | 1 | 11B | 125 BPM |
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