"Symphony No. 1 in C Minor, Op. 3, B. 9 - "The Bells of Zlonice": II. Adagio di molto" by Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelik was released on January 1, 1999. Symphony No. 1 in C Minor, Op. 3, B. 9 - "The Bells of Zlonice": II. Adagio di molto appears to be safe for all ages as it is not explicit. The song is number 2 out of 38 in Dvorak: The 9 Symphonies by 4Minute, Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelik. Symphony No. 1 in C Minor, Op. 3, B. 9 - "The Bells of Zlonice": II. Adagio di molto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 1 in C Minor, Op. 3, B. 9 - "The Bells of Zlonice": II. Adagio di molto by Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelik is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bridal Procession, Op. 19 No. 2 | Edvard Grieg, Yuri Temirkanov | A♭ Major | 0 | 4B | 72 BPM | ||
Gaîté parisienne: Polka (II) | Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan | G Major | 3 | 9B | 163 BPM | ||
Cello Concerto in A Minor, Op.129: III. Sehr lebhaft - (Cadenza) - Im Tempo - Schneller | Mstislav Rostropovich, Orchestre National De France, Leonard Bernstein | C Major | 2 | 8B | 106 BPM | ||
Henry VIII: Scherzetto | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 92 BPM | ||
Symphony No. 4 in C Minor, Op. 43: IV. Largo | Dmitri Shostakovich, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | F♯ Major | 1 | 2B | 85 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Mazurka No. 54 in D: Allegro non troppo | Frédéric Chopin, Tamás Vásáry | D Major | 0 | 10B | 66 BPM | ||
Symphony In D Minor: 1. Lento - Allegro ma non troppo - Allegro | César Franck, Berliner Philharmoniker, Carlo Maria Giulini | D Minor | 1 | 7A | 88 BPM | ||
Symphony No. 9 in D Major: 3. Rondo. Burleske (Allegro assai. Sehr trotzig - Presto) - Live From Philharmonie, Berlin | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | D Minor | 4 | 7A | 117 BPM | ||
Mahler: Symphony No. 2, "Resurrection": V. (c) Maestoso, sehr züruckhaltend - Allegro energico - Kräftig - Wieder etwas gehaltener - Mit einem Male etwas wuchtiger - | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | B♭ Major | 3 | 6B | 63 BPM |
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