"Caro mio ben" by Tomasso Giordani, Cecilia Bartoli, György Fischer was released on January 1, 1992. The duration of Caro mio ben is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Caro mio ben's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 21 in Cecilia Bartoli - Arie Antiche: Se tu m'ami by Cecilia Bartoli, György Fischer. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Caro mio ben is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Caro mio ben by Tomasso Giordani, Cecilia Bartoli, György Fischer is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bist Du Bei Mir, BWV 508 | Johann Sebastian Bach, Elin Manahan Thomas, Alastair Ross, Joseph Crouch, Harry Christophers | D Major | 0 | 10B | 102 BPM | ||
L’heure Exquise | Reynaldo Hahn, Encarnacion Vazquez, Jorge Federico Osorio | D Major | 0 | 10B | 150 BPM | ||
Rigoletto, Atto III, Canzone: "La donna è mobile" | Giuseppe Verdi, Jonas Kaufmann, Pier Giorgio Morandi, Parma Opera Orchestra | B Major | 2 | 1B | 136 BPM | ||
La Fiera di Venezia / Act 3: Vi sono sposa e amante | Antonio Salieri, Cecilia Bartoli, Rachel Brown, Anthony Robson, Orchestra of the Age of Enlightenment, Ádám Fischer | C Major | 3 | 8B | 130 BPM | ||
Rusalka, Op. 114, B. 203, Act I: Mesícku na nebi hlubokém ("Song to the Moon") | Antonín Dvořák, Frederica von Stade, Seiji Ozawa, Boston Symphony Orchestra | F♯ Major | 1 | 2B | 93 BPM | ||
Dichterliebe, Op.48: 1. Im wunderschönen Monat Mai | Robert Schumann, Dietrich Fischer-Dieskau, Christoph Eschenbach | A Minor | 0 | 8A | 173 BPM | ||
O Mio Bambino Care | Gianni Schicchi, Tivolis Promenadeorkester, Louise Fribo, Hans Nielsen, Bjørn Hyrup | A♭ Major | 3 | 4B | 70 BPM | ||
Sento nel core | Alessandro Scarlatti, Elisabetta Pallucchi, Filippo Farinelli | D Minor | 0 | 7A | 87 BPM | ||
Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Gente, gente, all'armi" | Wolfgang Amadeus Mozart, Boje Skovhus, Cheryl Studer, Sylvia McNair, Lucio Gallo, Cecilia Bartoli, Anna Caterina Antonacci, Carlo Allemano, Istvan Gati, Andrea Rost, Wiener Philharmoniker, Claudio Abbado | G Major | 2 | 9B | 122 BPM |
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