Messe F-Moll, WAB 28: I. Kyrie - Anton Bruckner, Hans-Jörg Mammel, Philippe Herreweghe, Joseph Moor, Ingela Bohlin, Alfred Reiter, RIAS Kammerchor, Ingeborg Danz Information

Acousticness: 97%
Danceability: 17%
Energy: 15%
Instrumentalness: 22%
Liveness: 29%
Loudness: 69%
Speechiness: 4%
Valence: 5%
Popularity: 3%
Loudness: -18.508 dB

Summary

"Messe F-Moll, WAB 28: I. Kyrie" by Anton Bruckner, Hans-Jörg Mammel, Philippe Herreweghe, Joseph Moor, Ingela Bohlin, Alfred Reiter, RIAS Kammerchor, Ingeborg Danz had its release date on September 23, 2008. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 6 in Bruckner: Mass in F Minor by Anton Bruckner, Philippe Herreweghe. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Messe F-Moll, WAB 28: I. Kyrie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Messe F-Moll, WAB 28: I. Kyrie BPM

The tempo marking of Messe F-Moll, WAB 28: I. Kyrie by Anton Bruckner, Hans-Jörg Mammel, Philippe Herreweghe, Joseph Moor, Ingela Bohlin, Alfred Reiter, RIAS Kammerchor, Ingeborg Danz is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Messe F-Moll, WAB 28: I. Kyrie Key

G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro	Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko	B♭ Major	3	6B	144 BPM
Symphony in F Major, Op. 8, "The Cotswolds": I. Allegro con brio	Gustav Holst, Ulster Orchestra, Joann Falletta	F Major	1	7B	104 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: II. Scherzo: Allegro	Max Bruch, Joshua Bell, Academy of St. Martin in the Fields	G Major	2	9B	115 BPM
Violin Concerto in D Minor, Op.47 (1985 - Remaster): II. Adagio di molto	Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra	B♭ Major	1	6B	87 BPM
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro	Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine	F Minor	2	4A	117 BPM
Symphony No. 5 in E Minor, Op. 64: IV. Finale. Andante maestoso – Allegro vivace – Moderato assai e molto maestoso – Presto – Molto meno mosso	Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko	E Major	3	12B	141 BPM
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 1. Allegro ma non troppo	Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit	E♭ Major	1	5B	99 BPM
Variations On An Original Theme, Op.36 "Enigma": 14. Finale: E.D.U. (Allegro - Presto)	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	G Major	2	9B	115 BPM
L'Arlésienne Suite No.1: Minuetto	Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan	A♭ Major	0	4B	175 BPM
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo)	Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding	B♭ Major	2	6B	147 BPM

ISRC: FRZ140704010
Label: L-M Records/RCA Records