"Concerto No. 1 in G Minor for Violin and Orchestra, Op. 26: Adagio" by Helena Spitkova was released on December 13, 2011. Since Concerto No. 1 in G Minor for Violin and Orchestra, Op. 26: Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 25 in the song's album "The Best Romantic Era Violin Music". In this album, this song's track order is #10. In terms of popularity, Concerto No. 1 in G Minor for Violin and Orchestra, Op. 26: Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto No. 1 in G Minor for Violin and Orchestra, Op. 26: Adagio by Helena Spitkova having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: II. Adagio | Joseph Haydn, Gautier Capuçon, Mahler Chamber Orchestra, Daniel Harding | A Major | 0 | 11B | 134 BPM | ||
Violin Concerto In D, Op. 35, TH. 59: II. Canzonetta: Andante - attacca - Live | Pyotr Ilyich Tchaikovsky, Anne-Sophie Mutter, Wiener Philharmoniker, André Previn | C Minor | 0 | 5A | 138 BPM | ||
Lalo: Symphonie espagnole in D minor, Op. 21: I. Allegro non troppo | Édouard Lalo, Renaud Capuçon, Paavo Järvi, Orchestre de Paris | D Minor | 1 | 7A | 80 BPM | ||
Lalo: Symphonie espagnole, Op. 21: V. Rondo (Allegro) | Édouard Lalo, Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra | A Major | 1 | 11B | 82 BPM | ||
Symphony No. 4 in F Minor, Op. 36, TH 27: 2. Andantino in modo di canzone | Pyotr Ilyich Tchaikovsky, Russian National Orchestra, Mikhail Pletnev | B♭ Minor | 0 | 3A | 64 BPM | ||
Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Itzhak Perlman, New York Philharmonic, Zubin Mehta | D Minor | 1 | 7A | 108 BPM | ||
Le Carnaval des Animaux - Arr. piano duet and orchestra: 1. Introduction and Royal March of the Lion | Camille Saint-Saëns, Nicholas Walker, Laura O'Gorman, Philharmonia, Philip Ellis | G Major | 3 | 9B | 108 BPM | ||
Romance for Violin & Orchestra No.2 F Major Op.50 | Alberto Lizzio, Philharmonica Slavonica, Ivan Czerkov | F Major | 1 | 7B | 98 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": Theme (Andante) | Edward Elgar, Philharmonia Orchestra, Giuseppe Sinopoli | G Major | 0 | 9B | 92 BPM | ||
Elegy, Op. 58 | Edward Elgar, Royal Ballet Sinfonia, Gavin Sutherland | F Minor | 1 | 4A | 112 BPM |
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