- BPM
- 90
- Key
- D Minor
- Camelot
- 7A
Medea (Medee) (Sung in Italian): Act I: Taci, Giason, e affisi immoto il suolo? (Medea) - Luigi Cherubini, Maria Callas, Carlos Guichandut, Fedora Barbieri, Gabriella Tucci, Mario Petri, Mario Frosini, Liliana Poli, Maria Andreassi, Fiorentino Maggio Musicale Chorus, Orchestra del Maggio Musicale Fiorentino, Andrea Morosini Information
- Acousticness
- 99%
- Danceability
- 29%
- Energy
- 8%
- Instrumentalness
- 0%
- Liveness
- 18%
- Loudness
- 66%
- Speechiness
- 8%
- Valence
- 5%
- Popularity
- 1%
- Loudness
- -20.644 dB
Summary
"Medea (Medee) (Sung in Italian): Act I: Taci, Giason, e affisi immoto il suolo? (Medea)" by Luigi Cherubini, Maria Callas, Carlos Guichandut, Fedora Barbieri, Gabriella Tucci, Mario Petri, Mario Frosini, Liliana Poli, Maria Andreassi, Fiorentino Maggio Musicale Chorus, Orchestra del Maggio Musicale Fiorentino, Andrea Morosini was released on January 1, 2003. The duration of Medea (Medee) (Sung in Italian): Act I: Taci, Giason, e affisi immoto il suolo? (Medea) is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Medea (Medee) (Sung in Italian): Act I: Taci, Giason, e affisi immoto il suolo? (Medea)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 23 in Cherubini, L.: Medea [Opera] (1953) by Luigi Cherubini, Maria Callas, Andrea Morosini. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Medea (Medee) (Sung in Italian): Act I: Taci, Giason, e affisi immoto il suolo? (Medea) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Medea (Medee) (Sung in Italian): Act I: Taci, Giason, e affisi immoto il suolo? (Medea) BPM
The tempo marking of Medea (Medee) (Sung in Italian): Act I: Taci, Giason, e affisi immoto il suolo? (Medea) by Luigi Cherubini, Maria Callas, Carlos Guichandut, Fedora Barbieri, Gabriella Tucci, Mario Petri, Mario Frosini, Liliana Poli, Maria Andreassi, Fiorentino Maggio Musicale Chorus, Orchestra del Maggio Musicale Fiorentino, Andrea Morosini is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
Medea (Medee) (Sung in Italian): Act I: Taci, Giason, e affisi immoto il suolo? (Medea) Key
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Cherubini: Medea, Act 1: "No, non temer" (Creonte, Glauce, Giasone) | Luigi Cherubini, Giuseppe Modesti, Renata Scotto, Mirto Picchi, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Giuseppe Modesti, Mirto Picchi, Orchestra Del Teatro Alla Scala, Milano, Renata Scotto, Tullio Serafin | G Major | 1 | 9B | 87 BPM | |
 | Requiem, Op. 48: VIII. In Paradisum | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France, La Maîtrise de Paris | D Major | 1 | 10B | 74 BPM | |
 | Te Deum in C Major, WAB 45: III. Aeterna fac | Anton Bruckner, Magdaléna Hajóssyová, Rosemarie Lang, Peter-Jurgen Schmidt, Hermann Christian Polster, Rundfunkchor Berlin, Rundfunk Sinfonieorchester Berlin, Heinz Rögner | C Major | 1 | 8B | 65 BPM | |
 | Petite messe solennelle: I. Kyrie | Gioachino Rossini, Wiener Singakademie, Luxembourg Philharmonic Orchestra, Gustavo Gimeno | C Major | 0 | 8B | 88 BPM | |
 | Orfeo ed Euridice: Act III, Scene 3, Coro, Orfeo, Amore ed Euridice: Trionfi Amore, e il mondo intiero | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Maria Cristina Kiehr, RIAS Kammerchor, Freiburger Barockorchester, Veronica Cangemi | F♯ Minor | 1 | 11A | 125 BPM | |
 | Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | |
 | Requiem, Op. 48 (version pour grand orchestre): Agnus Dei | Gabriel Fauré, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale, Joseph Moor | D Minor | 0 | 7A | 143 BPM | |
 | Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | |
 | Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | |
 | St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM |
- ISRC
- USB8U1005681
- Label
- L-M Records/RCA Records
Section: 0.8007838726043701
End: 0.8053426742553711