"Leoncavallo: Zazà, Act 1: "Salute, ragazzi" (Zaza, Cascart, Bussy, Duclou)" by Ruggero Leoncavallo, Maurizio Benini, BBC Symphony Orchestra was released on January 1, 2016. With Leoncavallo: Zazà, Act 1: "Salute, ragazzi" (Zaza, Cascart, Bussy, Duclou) being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ruggero Leoncavallo, Ermonela Jaho, Riccardo Massi, Stephen Gaertner, Patricia Bardon, BBC Symphony Orchestra, Maurizio Benini's "Leoncavallo: Zazà" album is number 4 out of 54. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Leoncavallo: Zazà, Act 1: "Salute, ragazzi" (Zaza, Cascart, Bussy, Duclou) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Leoncavallo: Zazà, Act 1: "Salute, ragazzi" (Zaza, Cascart, Bussy, Duclou) by Ruggero Leoncavallo, Maurizio Benini, BBC Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Torna a Surriento (Arr. Chiaramello) | Ernesto de Curtis, Luciano Pavarotti, National Philharmonic Orchestra, Giancarlo Chiaramello | E Major | 2 | 12B | 83 BPM | ||
La Bohème: Mi chiamano Mimi | Mirella Freni | D Major | 2 | 10B | 74 BPM | ||
Pagliacci / Act 2: "Arlecchin! Colombina!...Prendi questo narcotico" | Ruggero Leoncavallo, Juan Pons, Daniela Dessi, Ernesto Gavazzi, Philadelphia Orchestra, Riccardo Muti | E Major | 1 | 12B | 136 BPM | ||
Rigoletto - Si, Vendetta, Tremenda Vendetta | Piero Cappuccilli, Margherita Rinaldi | A♭ Major | 3 | 4B | 78 BPM | ||
Introitus | Wolfgang Amadeus Mozart, Lisa Beckley, Elena Filipova, Magdaléna Hajóssyová, Peter Mikulas, Michel Piquemal, Gloria Scalchi, Michel Piquemal Vocal Ensemble, Hungarian State Opera Chorus, Oxford Schola Cantorum, Slovak Philharmonic Chorus, Hungarian State Opera Orchestra, Orchestre De La Cite, Oxford Camerata, Slovak Philharmonic | B♭ Major | 1 | 6B | 103 BPM | ||
Miniera | Leo Nucci, Salotto Ottocento Ensemble | A Major | 2 | 11B | 119 BPM | ||
Manon Lescaut: Donna Non Vidi Mai... | Mario del Monaco | B♭ Major | 2 | 6B | 85 BPM | ||
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | ||
Un moto di gioia mi sento, K.579 | Wolfgang Amadeus Mozart, Edita Gruberova, Vienna Chamber Orchestra, György Fischer | D Major | 2 | 10B | 130 BPM | ||
Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 96 BPM |
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