"Intimate Sketches: No. 9, Rondo" by Leoš Janáček, Olena Kushpler was released on August 27, 2021. With Intimate Sketches: No. 9, Rondo being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Leoš Janáček, Olena Kushpler's "Janáček: Piano Works" album is number 23 out of 28. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Intimate Sketches: No. 9, Rondo's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Intimate Sketches: No. 9, Rondo by Leoš Janáček, Olena Kushpler to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Janáček: Piano Sonata "1. X. 1905, From the Street": I. Foreboding | Leoš Janáček, Mikhail Rudy | A♭ Minor | 1 | 1A | 80 BPM | ||
Cello Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | E Major | 0 | 12B | 89 BPM | ||
Sonate pour arpeggione [violoncelle] et piano en la mineur, D. 821: II. Adagio | Franz Schubert, Alexandre Tharaud, Jean-Guihen Queyras | E Major | 0 | 12B | 91 BPM | ||
Příhody Lišky Bystroušky, JW I/9, Act II (Arr. for Voices, Choir & Chamber Orchestra by Fabrice Bollon): Change of Scene | Leoš Janáček, The Lily's Project, Fabrice Bollon | A♭ Minor | 3 | 1A | 114 BPM | ||
Sarcasms for Piano, Op. 17: III. Allegro precipitato | Sergei Prokofiev, Daniil Trifonov | F Minor | 3 | 4A | 106 BPM | ||
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM | ||
Janáček: Glagolitic Mass: VI. Sanctus (1927 Version) | Leoš Janáček, Orchestre Philharmonique De Strasbourg, Adam Plachetka, Czech Philharmonic Choir of Brno, Jennifer Johnston, Ladislav Elgr, Malin Byström, Marko Letonja | B Major | 4 | 1B | 91 BPM | ||
12 Études caractéristiques, Op. 2: No. 6 in F-Sharp Major, "Si oiseau j'etais, a toi je volerais!" | Adolf von Henselt, Sergio Gallo | F♯ Major | 1 | 2B | 100 BPM | ||
Jenufa / Act 3: Odesli | Leoš Janáček, Wiesław Ochman, Elisabeth Söderström, Eva Randová, Wiener Philharmoniker, Sir Charles Mackerras | B♭ Major | 2 | 6B | 82 BPM | ||
Nisi Dominus, RV 608: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM |
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