Leoš Janáček, Orchestre Philharmonique De Strasbourg, Adam Plachetka, Czech Philharmonic Choir of Brno, Jennifer Johnston, Ladislav Elgr, Malin Byström, Marko Letonja's 'Janáček: Glagolitic Mass: VI. Sanctus (1927 Version)' came out on April 15, 2022. Janáček: Glagolitic Mass: VI. Sanctus (1927 Version) is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. The track order of this song in Leoš Janáček, Orchestre Philharmonique De Strasbourg, Marko Letonja's "Janáček: Glagolitic Mass, Sinfonietta" album is number 6 out of 14. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Janáček: Glagolitic Mass: VI. Sanctus (1927 Version) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Janáček: Glagolitic Mass: VI. Sanctus (1927 Version) by Leoš Janáček, Orchestre Philharmonique De Strasbourg, Adam Plachetka, Czech Philharmonic Choir of Brno, Jennifer Johnston, Ladislav Elgr, Malin Byström, Marko Letonja to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
On the Overgrown Path, Series I: No. 10, The Barn Owl Has Not Flown Away! Andante | Leoš Janáček, Ivan Klansky | A♭ Minor | 0 | 1A | 68 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
Pièces froides: II. Airs à faire fuir, Modestement | Erik Satie, Bruno Fontaine | G Major | 0 | 9B | 73 BPM | ||
String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, New Haydn Quartet | B♭ Major | 0 | 6B | 89 BPM | ||
Sonata in E Major, K. 380 | Domenico Scarlatti, Khatia Buniatishvili | B Major | 0 | 1B | 84 BPM | ||
Lieder ohne Worte, Op. 19, No. 1 | Felix Mendelssohn, Murray Perahia | E Major | 0 | 12B | 138 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Chaconne in sol maggiore : Variazione 10 | Lazar Berman | G Minor | 0 | 6A | 71 BPM | ||
Intimate Sketches: No. 11, My Olga | Leoš Janáček, Olena Kushpler | N/A | N/A | N/A | 0 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM |
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