"Manon Lescaut / Act 3: Ansia eterna, crudel" by Giacomo Puccini, Luciano Pavarotti, Dwayne Croft, Mirella Freni, Metropolitan Opera Orchestra, James Levine was released on January 1, 1993. With this song being about 5 minutes long, at 4:37, "Manon Lescaut / Act 3: Ansia eterna, crudel" by Giacomo Puccini, Luciano Pavarotti, Dwayne Croft, Mirella Freni, Metropolitan Opera Orchestra, James Levine is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 33 in the song's album "Puccini: Manon Lescaut". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Manon Lescaut / Act 3: Ansia eterna, crudel is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Manon Lescaut / Act 3: Ansia eterna, crudel by Giacomo Puccini, Luciano Pavarotti, Dwayne Croft, Mirella Freni, Metropolitan Opera Orchestra, James Levine having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adriana Lecouvreur / Act 1: "La dolcissima effigie sorridente" | Francesco Cilea, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | A♭ Major | 2 | 4B | 85 BPM | ||
Lucia di Lammermoor / Act 3: "Orrida è questa notte" | Gaetano Donizetti, Luciano Pavarotti, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 1 | 7B | 49 BPM | ||
L'elisir d'amore / Act 1: "Adina credimi...Fra lieti concenti" | Gaetano Donizetti, Luciano Pavarotti, Dominic Cossa, Dame Joan Sutherland, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 87 BPM | ||
La Gioconda / Act 2: Cielo e mar! | Amilcare Ponchielli, Luciano Pavarotti, National Philharmonic Orchestra, Bruno Bartoletti | E♭ Major | 2 | 5B | 175 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
Puccini: Turandot, Act 1: "Padre! Mio padre!" (Calaf, Guardie, Liù, La Folla, Timur) | Giacomo Puccini, Franco Corelli, Francesco Molinari-Pradelli, Orchestra Del Teatro Dell'Opera Di Roma | F Major | 2 | 7B | 114 BPM | ||
Faust, CG 4 / Act 3: "Quel trouble inconnu...Salut! Demeure chaste et pure" | Charles Gounod, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | A♭ Major | 2 | 4B | 174 BPM | ||
"Piscatore 'e Pusilleco" | Ernesto Tagliaferri, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Anton Guadagno | F Major | 2 | 7B | 90 BPM | ||
La farfalletta | Vincenzo Bellini, Cecilia Bartoli, James Levine | G Major | 0 | 9B | 101 BPM | ||
Pecchè? | Gaetano Pennino, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Anton Guadagno | G Major | 2 | 9B | 176 BPM |
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