- BPM
- 149
- Key
- G Major
- Camelot
- 9B
El Salón México - Aaron Copland, New Philharmonia Orchestra Information
- Acousticness
- 94%
- Danceability
- 29%
- Energy
- 14%
- Instrumentalness
- 91%
- Liveness
- 10%
- Loudness
- 70%
- Speechiness
- 4%
- Valence
- 5%
- Popularity
- 5%
- Loudness
- -17.745 dB
Summary
"El Salón México" by Aaron Copland, New Philharmonia Orchestra was released on 1965. El Salón México appears to be safe for all ages as it is not explicit. There are a total of 41 in the song's album "The Copland Collection: Orchestral & Ballet Works 1936-1948". In this album, this song's track order is #1. Based on our statistics, El Salón México's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
El Salón México BPM
With El Salón México by Aaron Copland, New Philharmonia Orchestra having a BPM of 149 with a half-time of 74 BPM and a double-time of 298 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
El Salón México Key
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM | |
 | Scheherezade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | E Minor | 1 | 9A | 70 BPM | |
 | Serenade in C Major, Op. 48: I. Pezzo in forma di Sonatina | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | C Major | 3 | 8B | 112 BPM | |
 | Ethiopia's Shadow in America: II. His Resignation and Faith | Florence Beatrice Price, ORF Vienna Radio Symphony Orchestra, John Jeter | A Major | 0 | 11B | 64 BPM | |
 | Summer Evening | Frederick Delius, Barry Wordsworth, London Symphony Orchestra | D Major | 0 | 10B | 175 BPM | |
 | Japanese Suite, Op. 33: III. Dance of the Marionette | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 0 | 5A | 177 BPM | |
 | Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 1 | 4B | 109 BPM | |
 | Pictures At An Exhibition: The Great Gate Of Kiev | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | E♭ Major | 2 | 5B | 58 BPM | |
 | Carnival of the Animals: XIV. Finale | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | C Major | 3 | 8B | 94 BPM | |
 | Habanera | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 0 | 11B | 128 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8351302146911621
End: 0.8405299186706543