Wolfgang Amadeus Mozart, Brigitte Lindner /Adolf Dallapozza/Kurt Moll/Bayerisches Staatsorchester/Eberhard Schoener, Eberhard Schoener, Bavarian State Orchestra's 'Mozart: Bastien und Bastienne, K. 50/46b, Scene 1: No. 1, Aria, "Mein liebster Freund hat mich verlassen" (Bastienne)' came out on November 4, 2005. The duration of Mozart: Bastien und Bastienne, K. 50/46b, Scene 1: No. 1, Aria, "Mein liebster Freund hat mich verlassen" (Bastienne) is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Mozart: Bastien und Bastienne, K. 50/46b, Scene 1: No. 1, Aria, "Mein liebster Freund hat mich verlassen" (Bastienne)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Sir Peter Ustinov, Eberhard Schoener, Sir Neville Marriner, Academy of St. Martin in the Fields, Bavarian State Orchestra's "Mozart: Der Schauspieldirektor / Bastien und Bastienne / Les Petits riens / Ouvertüren" album is number 2 out of 63. On top of that, Germany appears to be the country where this track was created. The popularity of Mozart: Bastien und Bastienne, K. 50/46b, Scene 1: No. 1, Aria, "Mein liebster Freund hat mich verlassen" (Bastienne) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Bastien und Bastienne, K. 50/46b, Scene 1: No. 1, Aria, "Mein liebster Freund hat mich verlassen" (Bastienne) by Wolfgang Amadeus Mozart, Brigitte Lindner /Adolf Dallapozza/Kurt Moll/Bayerisches Staatsorchester/Eberhard Schoener, Eberhard Schoener, Bavarian State Orchestra to be Presto (very, very fast) because the track has a tempo of 177 BPM, a half-time of 88BPM, and a double-time of 354 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
The music key of this track is E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Zauberflöte - Singspiel in two acts, K. 620, Act II: O Isis und Osiris (Sarastro, Chor) - 1987 Digital Remaster | Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch | F Major | 1 | 7B | 92 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Sinfonia in D Major, BWV 1045: I. Allegro | Johann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Müller-Brühl | D Major | 3 | 10B | 98 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Requiem In D Minor, K. 626: Sequence: I. Dies Irae | Slovak Philharmonic, Magdaléna Hajóssyová, Peter Mikulas, Vladimir Ruso, Jaroslava Horska, Jozef Kundlák, Stefan Klimo, Slovak Philharmonic Chorus, Wolfgang Amadeus Mozart | G Minor | 3 | 6A | 79 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: IV. Italiana | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 197 BPM |
Section: 0.7521674633026123
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