On 1965, the song "Dorian Reeds, Part 22" was released by Terry Riley, Matt Starling. With Dorian Reeds, Part 22 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 63 in the song's album "Terry Riley's Dorian Reeds (For Brass) 2019 Remastered for Streaming". In this album, this song's track order is #22. The popularity of Dorian Reeds, Part 22 is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Dorian Reeds, Part 22 by Terry Riley, Matt Starling having a BPM of 184 with a half-time of 92 BPM and a double-time of 368 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cells 9-11 | Terry Riley, Brooklyn Raga Massive | C Major | 7 | 8B | 111 BPM | ||
Viva Shona | Jon Hassell | A Minor | 4 | 8A | 128 BPM | ||
Ionisation | Edgard Varèse, Polish National Radio Symphony Orchestra, Christopher Lyndon-Gee | A Major | 6 | 11B | 116 BPM | ||
Kol Nidre | John Zorn, Quatuor Molinari | F♯ Minor | 1 | 11A | 147 BPM | ||
Act I: Trial 1, Entrance | Philip Glass Ensemble | D Major | 0 | 10B | 62 BPM | ||
O Virtus Sapientae (Arr. M. Beiser for Cello & Electronics) | Hildegard von Bingen, Maya Beiser | A Minor | 3 | 8A | 77 BPM | ||
Umi e (Toward the Sea): I - The Night | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | F♯ Major | 0 | 2B | 71 BPM | ||
Ró | Anna Thorvaldsdottir, Caput Ensemble, Guðni Franzson | F Major | 0 | 7B | 153 BPM | ||
Für Luise | Cluster, Eno | B Major | 1 | 1B | 137 BPM | ||
Music for 18 Musicians: Pulses | Steve Reich | F♯ Minor | 6 | 11A | 101 BPM |
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