"Ionisation" by Edgard Varèse, Polish National Radio Symphony Orchestra, Christopher Lyndon-Gee was released on May 27, 2008. With this song being about 5 minutes long, at 5:21, "Ionisation" by Edgard Varèse, Polish National Radio Symphony Orchestra, Christopher Lyndon-Gee is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Varese: Orchestral Works, Vol. 2 - Ameriques / Equatorial / Nocturnal / Ionisation by Edgard Varèse, Christopher Lyndon-Gee. The song's track number on the album is #9 out of 9 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. In terms of popularity, Ionisation is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Ionisation by Edgard Varèse, Polish National Radio Symphony Orchestra, Christopher Lyndon-Gee has a tempo of 116 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Ionisation being at 116 BPM, the half-time would be 58 BPM with a double-time of 232 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonatas and Interludes for Prepared Piano: Sonata No. 3 | John Cage, Boris Berman | D♭ Major | 3 | 3B | 95 BPM | ||
Sonic Contours | Vladimir Ussachevsky | C Major | 0 | 8B | 106 BPM | ||
Six Little Piano Pieces, Op. 19: Leicht, zart | Arnold Schoenberg, Paul Jacobs | G Major | 0 | 9B | 76 BPM | ||
7 Papillons: No. 3. — | Kaija Saariaho, Anssi Karttunen | D Major | 1 | 10B | 103 BPM | ||
Psalom | Arvo Pärt, Kronos Quartet | A Major | 0 | 11B | 92 BPM | ||
Threnody to the Victims of Hiroshima | Krzysztof Penderecki, Cracow Philharmonic Orchestra, Wojciech Czepiel | F Major | 3 | 7B | 58 BPM | ||
Eleven Instrusions II: Study on Archytas' Enharmonic | Harry Partch, Ben Johnston, Bill Snead, Donald Pippin, Betty Johnston | C Minor | 0 | 5A | 184 BPM | ||
Anthem of the Trinity - Instrumental | Terry Riley | F♯ Minor | 1 | 11A | 101 BPM | ||
Semi-Simple Variations | Milton Babbitt, Robert Taub | B Major | 0 | 1B | 136 BPM | ||
Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 0 | 3B | 104 BPM |
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