"Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 28c, Pas de deux. Adagio" by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra was released on January 1, 1974. With this song being about 5 minutes long, at 4:39, "Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 28c, Pas de deux. Adagio" by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 61 in the song's album "Tchaikovsky: The Sleeping Beauty, Op. 66". In this album, this song's track order is #26. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 28c, Pas de deux. Adagio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 28c, Pas de deux. Adagio by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Quixote: Act III: Coda | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | G Major | 3 | 9B | 75 BPM | ||
The Nutcracker, Op. 71: Act I: Tableau, Bild 2 - Scene | Ernst Hoffmann, Slovak Radio Symphony Orchestra, Pyotr Ilyich Tchaikovsky | C Major | 1 | 8B | 122 BPM | ||
Messiah, HWV 56 / Pt. 3: 43. Air: I know that my Redeemer liveth | George Frideric Handel, Margaret Marshall, English Baroque Soloists, John Eliot Gardiner | E♭ Major | 0 | 5B | 76 BPM | ||
Jeux d'enfants, Op. 22: V. The Ball | Georges Bizet, Barry Wordsworth, London Symphony Orchestra | A Major | 5 | 11B | 97 BPM | ||
Fauré: Requiem in D Minor, Op. 48: IV. Pie Jesu (Adagio) | Gabriel Fauré, Philippe Jaroussky, Paavo Järvi, Orchestre de Paris | B♭ Major | 0 | 6B | 129 BPM | ||
La Bayadere, Act III: 44. "Variation - 1st Soloist Shade" | Evergreen Symphony Orchestra, Kevin Galiè | A Major | 1 | 11B | 111 BPM | ||
Pavane pour une infante défunte (Pavane for a Dead Princess), M. 19 | London Symphony Orchestra | G Major | 1 | 9B | 74 BPM | ||
Carol Of The Bells - 1996 Digital Remaster | Mykola Dmytrovych Leontovych, Carmen Dragon, Hollywood Bowl Symphony Orchestra | E♭ Major | 1 | 5B | 97 BPM | ||
Løvenskiold: La Sylphide, Act 1: Arrival of the Guests - Pas d'écossaise (Allegro vivace - Tempo di Marcia) | Herman Løvenskiold, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | G Major | 3 | 9B | 80 BPM | ||
Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 89 BPM |
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