"Fauré: Requiem in D Minor, Op. 48: IV. Pie Jesu (Adagio)" by Gabriel Fauré, Philippe Jaroussky, Paavo Järvi, Orchestre de Paris was released on September 5, 2011. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 11 in Fauré Requiem, Cantique de Jean Racine by Gabriel Fauré, Philippe Jaroussky, Matthias Goerne, Orchestre de Paris, Paavo Järvi. Based on our statistics, Fauré: Requiem in D Minor, Op. 48: IV. Pie Jesu (Adagio)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fauré: Requiem in D Minor, Op. 48: IV. Pie Jesu (Adagio) by Gabriel Fauré, Philippe Jaroussky, Paavo Järvi, Orchestre de Paris is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat: VII. Gloria Patri | John Rutter, City of London Sinfonia, The Cambridge Singers | G Major | 1 | 9B | 71 BPM | ||
Messiah / Part 1: 18a. "He shall feed his flock" | George Frideric Handel, Arleen Auger, Anne Sofie von Otter, The English Concert, Trevor Pinnock | C Major | 1 | 8B | 87 BPM | ||
Nisi Dominus, RV 608: II. Vanum | Antonio Vivaldi, Ensemble Matheus, Jean-Christophe Spinosi, Philippe Jaroussky | F Major | 0 | 7B | 167 BPM | ||
Vivaldi: Gloria in D Major, RV 589: I. Gloria in excelsis Deo | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | D♭ Major | 3 | 3B | 128 BPM | ||
Ellens Gesang III (Ave Maria!), Op. 56, No. 6, D. 839, "Hymne an die Jungfrau" | Franz Schubert, David Cordier, Vienna Boys' Choir, Cologne Radio Orchestra, Helmut Froschauer | B♭ Major | 1 | 6B | 127 BPM | ||
Requiem, Op.48: 1. Introit et Kyrie (Chorus) | Gabriel Fauré, Philharmonia Orchestra, Carlo Maria Giulini, Timothy Farrell, Philharmonia Chorus London, Horst Neumann | B♭ Major | 0 | 6B | 87 BPM | ||
Stabat Mater, P. 77: 1. Stabat Mater | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | F Minor | 0 | 4A | 80 BPM | ||
Dancing Lights | Alexis Ffrench | A Minor | 1 | 8A | 51 BPM | ||
Rejoice in the Lamb, Op. 30: No. 1c, Hallelujah | Benjamin Britten, David Dunnett, Norwich Cathedral Choir, Ashley Grote | F Major | 0 | 7B | 0 BPM | ||
Messiah, HWV 56 / Pt. 1: "Rejoice Greatly, O Daughter Of Zion" | George Frideric Handel, Elly Ameling, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 1 | 6B | 60 BPM |
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