Messiah, HWV 56 / Pt. 3: 43. Air: I know that my Redeemer liveth - George Frideric Handel, Margaret Marshall, English Baroque Soloists, John Eliot Gardiner Information

Acousticness: 95%
Danceability: 16%
Energy: 2%
Instrumentalness: 0%
Liveness: 12%
Loudness: 49%
Speechiness: 5%
Valence: 9%
Popularity: 36%
Loudness: -30.417 dB

Summary

"Messiah, HWV 56 / Pt. 3: 43. Air: I know that my Redeemer liveth" by George Frideric Handel, Margaret Marshall, English Baroque Soloists, John Eliot Gardiner was released on January 1, 1983. Messiah, HWV 56 / Pt. 3: 43. Air: I know that my Redeemer liveth is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. The track order of this song in George Frideric Handel, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner's "Handel: Messiah" album is number 19 out of 51. Messiah, HWV 56 / Pt. 3: 43. Air: I know that my Redeemer liveth is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Messiah, HWV 56 / Pt. 3: 43. Air: I know that my Redeemer liveth BPM

We consider the tempo marking of Messiah, HWV 56 / Pt. 3: 43. Air: I know that my Redeemer liveth by George Frideric Handel, Margaret Marshall, English Baroque Soloists, John Eliot Gardiner to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Messiah, HWV 56 / Pt. 3: 43. Air: I know that my Redeemer liveth Key

This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Songs from "Friday Afternoons", Op.7: Songs From Friday Afternoons, Op. 7: "Cuckoo!"	Benjamin Britten, Choir Of Downside School, Purley, Viola Tunnard	D♭ Major	0	3B	80 BPM
Mozart: Ave verum corpus, K. 618	Wolfgang Amadeus Mozart, William Christie, Choeur des Arts Florissants, Les Arts Florissants	D♭ Major	0	3B	170 BPM
Mass In B Minor, BWV 232 / Kyrie: Christe eleison	Johann Sebastian Bach, Lynne Dawson, Carol Hall, English Baroque Soloists, John Eliot Gardiner	D♭ Major	1	3B	71 BPM
Requiem: VII. Lux aeterna (Thomas Harries, treble)	John Rutter, Choir of King's College, Cambridge, Stephen Cleobury, City of London Sinfonia	G Major	0	9B	81 BPM
What sweeter music	John Rutter, Choir of King's College, Cambridge, Henry Websdale, Stephen Cleobury	B♭ Minor	0	3A	87 BPM
Verleih uns Frieden gnädiglich	Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris	A♭ Major	2	4B	87 BPM
Gloria: I. [Allegro vivace]	John Rutter, Choir of King's College, Cambridge, Choir of Gonville & Caius College, Cambridge, Geoffrey Webber, City Of Birmingham Symphony Orchestra, Jacqueline Hartley, Stephen Cleobury	B♭ Major	1	6B	152 BPM
Ave Maria, gratia plena… Virgo serena	Josquin des Prez, The Cambridge Singers, John Rutter	C Major	0	8B	80 BPM
Messiah, HWV 56: No. 44. Chorus: Hallelujah (Chorus)	George Frideric Handel, Eileen Farrell, Martha Lipton, William Warfield, Mormon Tabernacle Choir, Eugene Ormandy, Philadelphia Orchestra	D Major	3	10B	100 BPM
L'Enfance du Christ, Op. 25, Deuxième Partie, La Fuite en Egypte: II. L'Adieu des Bergers	Hector Berlioz, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe, Joseph Moor, La Chapelle Royale	F♯ Major	1	2B	106 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6097767353057861

End: 0.6143081188201904