"Symphony No. 5 in E Minor, Op. 64, TH. 29: I. Andante - Allegro con anima" by Pyotr Ilyich Tchaikovsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky was released on January 1, 1961. Symphony No. 5 in E Minor, Op. 64, TH. 29: I. Andante - Allegro con anima appears to be safe for all ages as it is not explicit. There are a total of 12 in the song's album "Tchaikovsky: Symphonies Nos.4, 5 & 6 "Pathetique"". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. Based on our statistics, Symphony No. 5 in E Minor, Op. 64, TH. 29: I. Andante - Allegro con anima's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 5 in E Minor, Op. 64, TH. 29: I. Andante - Allegro con anima by Pyotr Ilyich Tchaikovsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in A minor, op. 129: III. Finale vivace - Sehr Lebhaft | Robert Schumann, Jean-Guihen Queyras, Freiburger Barockorchester, Pablo Heras-Casado | A Major | 1 | 11B | 117 BPM | ||
Khachaturian: Violin Concerto in D Minor, Op. 46: III. Allegro vivace | Aram Khachaturian, David Oistrakh, Philharmonia Orchestra | D Major | 4 | 10B | 149 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, Boris Giltburg, Rhys Owens, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Major | 0 | 8B | 72 BPM | ||
Capriccio Espagnol: Alborada | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | A Major | 4 | 11B | 126 BPM | ||
Piano Concerto No. 2 in A Major, S. 125: Marziale un poco meno allegro - | Franz Liszt, Alexandre Kantorow, Tapiola Sinfonietta, Jean-Jacques Kantorow | F♯ Major | 3 | 2B | 94 BPM | ||
Piano Trio No. 2, Op. 67: 1. Andante - Moderato - Poco più mosso | Dmitri Shostakovich, Olli Mustonen, Joshua Bell, Steven Isserlis | E Minor | 0 | 9A | 91 BPM | ||
Piano Concerto in A Minor, Op. 54: Piano Concerto in A Minor, Op. 54: II. Intermezzo. Andantino grazioso | Robert Schumann, Alexander Melnikov, Freiburger Barockorchester, Pablo Heras-Casado | G Minor | 0 | 6A | 79 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 7 | Sergei Rachmaninoff, Yuja Wang, Mahler Chamber Orchestra, Claudio Abbado | D♭ Major | 0 | 3B | 81 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 85 BPM | ||
Piano Concerto No.4 in G minor, Op.40: 1. Allegro vivace (Alla breve) | Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André Previn | E♭ Major | 1 | 5B | 67 BPM |
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