Hector Berlioz, Christiane Eda-Pierre, Jules Bastin, Robert Massard, Chorus of the Royal Opera House, Covent Garden, BBC Symphony Orchestra, Sir Colin Davis made "Benvenuto Cellini / Act 1: "Ah! maître drôle, ah! libertin!" - "Emmenons-le"" available on January 1, 1972. With Benvenuto Cellini / Act 1: "Ah! maître drôle, ah! libertin!" - "Emmenons-le" being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 45 in Berlioz: Benvenuto Cellini by Hector Berlioz, Nicolai Gedda, Christiane Eda-Pierre, Jane Berbié, Roger Soyer, Robert Massard, Chorus of the Royal Opera House, Covent Garden, BBC Symphony Orchestra, Sir Colin Davis. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Benvenuto Cellini / Act 1: "Ah! maître drôle, ah! libertin!" - "Emmenons-le" is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Benvenuto Cellini / Act 1: "Ah! maître drôle, ah! libertin!" - "Emmenons-le" by Hector Berlioz, Christiane Eda-Pierre, Jules Bastin, Robert Massard, Chorus of the Royal Opera House, Covent Garden, BBC Symphony Orchestra, Sir Colin Davis is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
Symphony No. 9 in C, D.944 - "The Great": 3. Scherzo (Allegro vivace) | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | A Major | 0 | 11B | 78 BPM | ||
L'enfance du Christ, Op. 25: Part III: The Arrival At Sais - Scene 3 - Epilogue. Narrator, Chorus | Hector Berlioz, Fernand Bernardi, Antoine Garcin, Michèle Lagrange, Michel Piquemal, Jean-Louis Serre, Etienne Vandier, Jean-Luc Viala, Ile de France Vittoria Regional Choir, Orchestre National de Lille, Jean-Claude Casadesus | D♭ Minor | 1 | 12A | 58 BPM | ||
Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 1. At The Castle Gate | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 92 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Má Vlast, JB1:112: 2. Vltava | Bedřich Smetana, Wiener Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 78 BPM | ||
Japanese Suite, Op. 33: VI. Finale: Dance of the Wolves | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 4 | 5A | 101 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 3. Intermezzo (Allegretto non troppo) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 1 | 8A | 115 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": II. Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 1 | 4A | 84 BPM | ||
Berlioz: Symphonie fantastique, H. 48: II. Un bal. Valse. Allegro non troppo | Hector Berlioz, Munich Philharmonic Orchestra, Sergiu Celibidache | A Major | 1 | 11B | 73 BPM |
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