"Berlioz: Symphonie fantastique, H. 48: II. Un bal. Valse. Allegro non troppo" by Hector Berlioz, Munich Philharmonic Orchestra, Sergiu Celibidache was released on May 27, 2020. Since Berlioz: Symphonie fantastique, H. 48: II. Un bal. Valse. Allegro non troppo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 8 in Berlioz: Symphonie fantastique, H.48, Op. 14 by Hector Berlioz, Munich Philharmonic Orchestra, Sergiu Celibidache. Berlioz: Symphonie fantastique, H. 48: II. Un bal. Valse. Allegro non troppo is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Berlioz: Symphonie fantastique, H. 48: II. Un bal. Valse. Allegro non troppo by Hector Berlioz, Munich Philharmonic Orchestra, Sergiu Celibidache is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Holberg Suite, Op. 40: 3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 78 BPM | ||
Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM | ||
Le Carnaval des Animaux: Finale | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | D Minor | 3 | 7A | 101 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Piano Concerto No.1 in F Sharp Minor, Op.1: 2. Andante | Sergei Rachmaninoff, Vladimir Ashkenazy, Concertgebouworkest, Bernard Haitink | A Major | 0 | 11B | 69 BPM | ||
Grande messe des morts, Op. 5, "Requiem": Lacrimosa | Hector Berlioz, Toby Spence, SWR Vokalensemble Stuttgart, MDR Leipzig Radio Chorus, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | C Major | 2 | 8B | 128 BPM | ||
Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 9. The Death Of Mélisande | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 72 BPM | ||
Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo. Vivace | Frédéric Chopin, Martha Argerich, London Symphony Orchestra, Claudio Abbado | E Major | 2 | 12B | 123 BPM | ||
Cello Concerto No. 1 in C Major, Hob.VIIb:1: III. Allegro molto | Joseph Haydn, Steven Isserlis, Sir Roger Norrington | B Minor | 4 | 10A | 119 BPM |
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