Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell's 'Mystery (Rosary) Sonata: No. 7 in F Major “The Scourging at the Pillar": I. Allamanda - Variatio' came out on March 1, 2024. With this song being about 5 minutes long, at 4:49, "Mystery (Rosary) Sonata: No. 7 in F Major “The Scourging at the Pillar": I. Allamanda - Variatio" by Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 16 out of 41 in Biber: Mystery (Rosary) Sonatas by Heinrich Ignaz Franz von Biber, Alan Choo, Apollo's Fire, Jeannette Sorrell. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Mystery (Rosary) Sonata: No. 7 in F Major “The Scourging at the Pillar": I. Allamanda - Variatio is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mystery (Rosary) Sonata: No. 7 in F Major “The Scourging at the Pillar": I. Allamanda - Variatio by Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto 2 in D Major, Op. 7: II. Allegro ma non troppo | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Major | 2 | 3B | 97 BPM | ||
Sonata sesta for violino solo: VI. Allegro [2] | Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford | E Minor | 3 | 9A | 93 BPM | ||
Sinfonia a quattro No. 5 in D Major, SF C776: II. Adagio | Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu | F♯ Major | 5 | 2B | 142 BPM | ||
Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
La morte della Ragione (Pavana) | Anonymous, Il Giardino Armonico, Giovanni Antonini | A♭ Major | 4 | 4B | 154 BPM | ||
Overture in C Minor, TWV TWV 55:c4 | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | B Minor | 1 | 10A | 179 BPM | ||
Alegria | Green Nature | A♭ Major | 1 | 4B | 117 BPM | ||
Chamber Sonata No. 4 in G Minor: VIII. Allegro | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Major | 3 | 2B | 131 BPM | ||
Concerto Grosso No.9 in A minor after "Lessons for the Harpsichord" by Domenico Scarlatti: 1. Largo | Charles Avison, The English Concert, Trevor Pinnock | B Major | 1 | 1B | 143 BPM | ||
Concerto Grosso in C Minor, Op. 2, No. 2: III. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 57 BPM |
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