Élisabeth Jacquet de La Guerre, Musica Fiorita made "Chamber Sonata No. 4 in G Minor: VIII. Allegro" available on July 31, 2015. With Chamber Sonata No. 4 in G Minor: VIII. Allegro being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Élisabeth Jacquet de La Guerre, Musica Fiorita, Daniela Dolci's "Jacquet de la Guerre: Chamber Music" album is number 8 out of 43. On top of that, Switzerland appears to be the country where this track was created. Based on our statistics, Chamber Sonata No. 4 in G Minor: VIII. Allegro's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Chamber Sonata No. 4 in G Minor: VIII. Allegro by Élisabeth Jacquet de La Guerre, Musica Fiorita to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerts royaux, Concerto No. 2 in D Major: II. Allemande fuguée | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Telemann: Tafelmusik, Pt. 3, Ouverture-Suite in B-Flat Major, TWV 55:B1: I. Ouverture. Lentement - Presto | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | A Major | 2 | 11B | 130 BPM | ||
Concerto Armonico I: I. Grave | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 1 | 3B | 95 BPM | ||
La morte del cor penitente, Pt. 1: Sinfonia | Giovanni Legrenzi, Sonatori de la Gioiosa Marca | C Minor | 1 | 5A | 192 BPM | ||
Violin Concerto in F Major, D. 61: I. Allegro | Giuseppe Tartini, Chouchane Siranossian, Venice Baroque Orchestra, Andrea Marcon | E Major | 3 | 12B | 92 BPM | ||
Sonata a 4 in D Major, WoO 4: II. Allegro | Arcangelo Corelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | D♭ Major | 2 | 3B | 114 BPM | ||
Concerto for 3 Trumpets and Timpani in D Major, TWV 54:D3: III. Largo | Georg Philipp Telemann, The English Concert, Trevor Pinnock | D Minor | 2 | 7A | 82 BPM | ||
Sonata sesta in G Major: II. Con Spirito ma non presto | Mrs Philarmonica, Le Consort | F♯ Major | 3 | 2B | 70 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 4, Le je-ne-scay-quoy | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Céphale et Procris, Act II Scene 8: Pour rendre un amant volage (L'Aurore, Iphis) | Élisabeth Jacquet de La Guerre, Ema Nikolovska, Gwendoline Blondeel, Reinoud Van Mechelen, A Nocte Temporis | C Minor | 1 | 5A | 88 BPM |
Section: 0.8466396331787109
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