"Orff: Carmina Burana, Pt. 3, Cour d'amours: Amor volat undique" by Carl Orff, Michel Plasson, Choeurs d'Enfants de Midi-Pyrénées, Orchestre National Du Capitole De Toulouse was released on 1995. The duration of Orff: Carmina Burana, Pt. 3, Cour d'amours: Amor volat undique is about 3 minutes long, at 3:14. Based on our data, "Orff: Carmina Burana, Pt. 3, Cour d'amours: Amor volat undique" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 18 out of 28 in Carmina Burana by Carl Orff. Based on our statistics, Orff: Carmina Burana, Pt. 3, Cour d'amours: Amor volat undique's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Orff: Carmina Burana, Pt. 3, Cour d'amours: Amor volat undique by Carl Orff, Michel Plasson, Choeurs d'Enfants de Midi-Pyrénées, Orchestre National Du Capitole De Toulouse is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "La calunnia è un venticello" (Basilio) | Gioachino Rossini, James Levine, Ruggero Raimondi, London Symphony Orchestra | D Major | 2 | 10B | 138 BPM | ||
Le nozze di Figaro, K. 492 / Act 4: "Giunse alfin il momento... Deh, vieni, non tardar" | Wolfgang Amadeus Mozart, Cecilia Bartoli, Vienna Chamber Orchestra, György Fischer | E♭ Major | 1 | 5B | 141 BPM | ||
Fauré: Suite de Pelléas et Mélisande, Op. 80: IV. La mort de Mélisande | Gabriel Fauré, Orchestre Du Capitole De Toulouse, Michel Plasson, Orchestre National Du Capitole De Toulouse | D Major | 1 | 10B | 123 BPM | ||
Carmina Burana / 3. Cour d'amours: "Veni, veni, venias" | Carl Orff, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | D Minor | 6 | 7A | 154 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
Carmina Burana / 2. In Taberna: "Ego sum abbas" | Carl Orff, Bernd Weikl, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus | D Minor | 2 | 7A | 135 BPM | ||
Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | G Major | 2 | 9B | 126 BPM | ||
Parsifal, WWV 111 / Act I: He! Ho! Waldhüter ihr | Richard Wagner, Marjon Lambriks, Dunja Vejzovic, Anne Gjevang, Claes-Håkon Ahnsjö, Kurt Moll, Kurt Rydl, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 128 BPM | ||
L'Arlesiana / Act 2: "È la solita storia del pastore" | Francesco Cilea, Luciano Pavarotti, Vienna Opera Orchestra & Chorus, Nicola Rescigno | A Minor | 1 | 8A | 93 BPM |
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