Carmina Burana / 2. In Taberna: "Ego sum abbas"
Carl Orff, Bernd Weikl, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus
Orff: Carmina Burana
1:39 January 1, 1985
BPM
135
Key
D Minor
Camelot
7A

Embed

Share Link

Carmina Burana / 2. In Taberna: "Ego sum abbas" - Carl Orff, Bernd Weikl, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus Information

Acousticness
91%
Danceability
41%
Energy
16%
Instrumentalness
0%
Liveness
18%
Loudness
74%
Speechiness
4%
Valence
47%
Popularity
Loudness
-15.491 dB

Summary

Carl Orff, Bernd Weikl, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus made "Carmina Burana / 2. In Taberna: "Ego sum abbas"" available on January 1, 1985. With Carmina Burana / 2. In Taberna: "Ego sum abbas" being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. Based on our statistics, Carmina Burana / 2. In Taberna: "Ego sum abbas"'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Carmina Burana / 2. In Taberna: "Ego sum abbas" BPM

With Carmina Burana / 2. In Taberna: "Ego sum abbas" by Carl Orff, Bernd Weikl, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Carmina Burana / 2. In Taberna: "Ego sum abbas" Key

D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Farandole by Georges Bizet, Arthur Fiedler, Boston Pops OrchestraFarandoleGeorges Bizet, Arthur Fiedler, Boston Pops OrchestraD Major610B101 BPM
L'Arlésienne Suite No. 1, WD 40: 1. Prélude by Georges Bizet, Orchestre de Paris, Semyon BychkovL'Arlésienne Suite No. 1, WD 40: 1. PréludeGeorges Bizet, Orchestre de Paris, Semyon BychkovC Minor05A71 BPM
5 Military Marches, Op. 39, 5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D MajorEdward Elgar, New Zealand Symphony Orchestra, James JuddD Major310B127 BPM
Dies Irae by Giuseppe Verdi, Carmen Giannattasio, Veronica Simeoni, Alxander Timchenko, Carlo Colombara, Yuri Temirkanov, St. Petersburg Philharmonic OrchestraDies IraeGiuseppe Verdi, Carmen Giannattasio, Veronica Simeoni, Alxander Timchenko, Carlo Colombara, Yuri Temirkanov, St. Petersburg Philharmonic OrchestraC Minor35A80 BPM
Carmina Burana / I. Primo vere: Carmina Burana / I. Primo vere: "Ecce gratum" - Live from the Forbidden CityCarl Orff, Wiener Singakademie, Heinz Ferlesch, Shanghai Symphony Orchestra, Long YuF Major47B149 BPM
Aida / Act 2: Marcia by Giuseppe Verdi, Orchestra Del Teatro Dell'Opera Di Roma, Sir Georg SoltiAida / Act 2: MarciaGiuseppe Verdi, Orchestra Del Teatro Dell'Opera Di Roma, Sir Georg SoltiF Minor34A148 BPM
Aida: Act II: Marcia by Giuseppe Verdi, Maria Dragoni, Kristjan Johannsson, Barbara Dever, Mark Rucker, Francesco Ellero d' Artegna, Riccardo Ferrari, Antonio Marcenò, Monica Trini, Colin Mawby, RTÉ Philharmonic Choir, RTE Chamber Choir, Culwick Choral Society, Bray Choral Society, Dublin County Choir, Dun Laoghaire Choral Society, Cantabile Singers, Goethe Institut Choir, Musica Sacra, The Phoenix Singers, RTÉ National Symphony Orchestra, Irish Army No. 1 Band, Ricco SaccaniAida: Act II: MarciaGiuseppe Verdi, Maria Dragoni, Kristjan Johannsson, Barbara Dever, Mark Rucker, Francesco Ellero d' Artegna, Riccardo Ferrari, Antonio Marcenò, Monica Trini, Colin Mawby, RTÉ Philharmonic Choir, RTE Chamber Choir, Culwick Choral Society, Bray Choral Society, Dublin County Choir, Dun Laoghaire Choral Society, Cantabile Singers, Goethe Institut Choir, Musica Sacra, The Phoenix Singers, RTÉ National Symphony Orchestra, Irish Army No. 1 Band, Ricco SaccaniA♭ Major14B112 BPM
Carmina Burana Suite, Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): II. Fortune plango vulnera (I lament Fortune's blows)John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. ParkerA Minor18A107 BPM
Verdi: Aïda, Act 2: Triumphal march by Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa CeciliaVerdi: Aïda, Act 2: Triumphal marchGiuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa CeciliaE♭ Major05B93 BPM
Samson et Dalila, Op. 47, R. 288: Bacchanale by Camille Saint-Saëns, Lorin Maazel, Pittsburgh Symphony OrchestraSamson et Dalila, Op. 47, R. 288: BacchanaleCamille Saint-Saëns, Lorin Maazel, Pittsburgh Symphony OrchestraA Minor18A122 BPM
ISRC
DEF058430813
Label
L-M Records/RCA Records

Section: 0.7552602291107178

End: 0.7590122222900391